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Chosen by Jodie
The story of life for Koreans in Japan, told through four generations and eight decades.
➽ “I found Pachinko a deeply engrossing story about the burdens of a Korean family living as immigrants in Japan during the 20th century. The research Lee conducted to pull the story together was thorough and took her many years. I enjoyed learning about a part of history that was new to me; I gained a huge appreciation for the complex historical relationship between Korea and Japan. Lee has managed to write this historical novel in a beautiful and easy style with lots of plot and events occurring; the writing is calm so you don’t feel overwhelmed by all the action. It’s a beautifully constructed novel with characters who feel quite real and vivid. I really enjoyed it!” – Jodie
➽ “Pachinko is a multi generational narrative of family bonds and struggles, detailing the complex lives of immigrants in a foreign land. That the story began post WWII and the immigrants were unable to return to their homeland made the story more poignant. I had not understood the Korean-Japanese relationship of this time so appreciated the education as well as the entertainment the book provided. Sacrifice is a common theme, often underpinned by each character’s place as a second class citizen in a foreign land. The female characters are strong but not cliched and work tirelessly to keep their families alive. A really enjoyable read.” – Rachel
➽ “An education on Korean and Japanese social relationship history is given throughout this book which I found fascinating and deeply saddening. It’s a long saga of a story with some very distressing events which the writer skilfully expresses with subtlety. It’s clever and interesting with characters that gradually sharpen into being as their story unfolds. I loved it and feel enriched for having learnt about a topic I had no idea about – the plight of Koreans in Japan.” – Jo
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Published 2017
Grand Central Publishing
496 pages
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Chosen by Rachel
After five Peruvians perish in a bridge collapse, a friar attempts to determine why it was those individuals who should die.
➽ “The Bridge of San Luis Rey appealed to me for its philosophical exploration, asking, but never answering: are fates part of some pre-ordained course or do we live our lives by chance? Five people are ‘precipitated’ into a gulf after a hand built bridge collapses in Peru. Brother Juniper examines the lives of the dead, in order find some reason, Godly or otherwise, for their demise. That the question over fate/chance is never answered was the distinctive appeal of the book for me. I do not want all the answers in literature, but rather ideas to stretch my thinking, and The Bridge of San Luis Rey certainly offered this.
“Its central theme of how we give and receive love is timeless, and was examined via a number of different types of relationships, a refreshing take on the love story. With the ability to be read on a number of levels, The Bridge of San Luis Rey is accessible to all and I’m so pleased to have read it.” – Rachel
➽ “The Bridge of San Luis Rey captivated me from the start with the opening sentence: ‘On Friday noon, July the twentieth, 1714, the finest bridge in all Peru broke and precipitated five travellers into the gulf below.’
“Brother Juniper witnesses this tradegy and is left pondering the theory: were these people victims of chance or deliberately targeted as part of Gods plan?
Some say…that to the gods we are like the flies that the boys kill on a summer day, and some say, on the contrary, that the very sparrows do not lose a feather that has not been brushed away by the finger of God.
“The novel delves into the lives of the five exotic characters, and it feels to me you are reading five short stories. The common theme running through their lives, and extending into the future, is love in many forms. Wilder purposely leaves the ending open for interpretation. The only certainty is that one way or another love brought those five people to the bridge at the exact same moment. It is a beautifully written novel that captures many emotions in such a small amount of pages. A very enjoyable read.” – Jodie
➽ “This book had a unique perspective with a commonly wondered theme: is there a plan or do we live by accident? I was drawn in by this question and enjoyed the beautifully way it was written with multiple stand out parts that are too numerous to mention. A clever, concise book involving multiple angles with religious and philosophical references most obvious. I feel as if I missed some of the underlying messages and surprisingly I’m looking forward to re-reading this book. (I never usually want to for some reason). I can see why it won the Pulitzer Prize in 1928. It is definitely a book that should be savoured.” – Jo
➽ “I can give lots of reasons for why I loved “The Bridge of San Luis Rey“. It’s a book that I belive deserves its critical acclaim and timeless appeal. The book structure, being insights into the lives of five characters leading up to the point where they were killed with the collapse of a bridge, was clever and gave punchy accounts of life and love in the fashion of short, interconnected stories. I liked this a lot. As did I the philosophical premise: “Do we die according to God’s grand plan for us, is it somehow deserved, or is our fate random?” This book is a real gem, and even if at times I struggled with the language and my understanding of what was being said, it is something I shall remember and recommend to others.” – Sonya
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Published 1927
Albert & Charles Boni
138 pages
The 2018 Man Booker shortlist was a surprise, with many followers declaring it an unusual list with glaring omissions. We, too, were shocked at who wasn’t present: Sing Unburied Sing by Jesmyn Ward, Warlight by Michael Ondajtee, Crudo by Olivia Lang, Normal People by Sarah Rooney. We could go on.
But reading the Man Booker shortlist is not an exercise in favouritism, it is a literary peregrination that gives us the chance to read six excellent books, and to proclaim their fabulousness or pick merciless holes in them!
This year we holed up in idyllic Akaora and considered the judges’ announcement that the list was chosen as such because of its contenders’ “miracles of stylistic invention”. Surprise list or not, what else was there to do but embark upon a journey to embrace newness.
And newness there was, experimental fiction for sure. Look at The Long Take, a poem in novel form, with its protagonist like a camera, wandering the streets recording the suffering of veterans trying to assimilate back into real life.
Washington Black subverted a story of marginalisation by putting a black gentleman in the centre of the story and the white men as support cast on the periphery. Then tied in adventure tales of the 19th century to a story that drags you from one side of your thematic understanding to the other.
Milkman has a dense, report style of narrative where no one has a name for fear of identification. The vernacular of over describing things is clever and effective.
Despite its lack of chapter headings, Everything Under has a simple story line, moulded by myths and fairy tales we know well. The use of second person narration adds another dimension to this uniquely told tale.
The Overstory combines in-depth character analysis and a strong moral focus with fascinating scientific studies in a 500-page tome that is never dull.
And The Mars Room is probably the most believable prison system story out there. There is no cushioning here but an extensively researched novel about lower socio-economic women who end up on the wrong side of life.
So yes, experimental fiction, miracles of stylistic invention, notable books worth recognising.
Do either of us think they are six best books of the year? No.
Are we glad we read them? Yes. For what kind of bookies would we be if we didn’t tackle the unexpected, and embrace newness and duly report back with our thoughts!
So, who took it out in our opinions?
For Suzy it was The Overstory. “This shortlist showcases a line up of gutsy publishers, producing literature we haven’t seen before and I applaud them for it. This is one year where I honestly wouldn’t mind if any of the six won, but Richard Powers changed my life, yes, changed my life. I feel like I understand climate change properly and am more ecologically aware from reading his book – so The Overstory is my pick.”
And, Rachel chose The Long Take. “What I admired most about The Long Take was its brevity:effect ratio. I know that basically describes poetry, but it takes on new meaning in Robertson’s middling take on both the novelistic and poetry form. He created a novel with rhythm yet sharpness. Five or six words could shock me. It was like nothing I’ve ever read, and I was deeply impressed with the style and deeply moved by the story. I actually read it twice in the same week, and I’m already planning on reading it a third time.”
Suzy’s favourites 1st-6th
The Overstory
The Long Take
Everything Under
The Mars Room
Milkman
Washington Black
Rachel’s favourites 1st-6th
The Long Take
Everything Under
Milkman
The Overstory
The Mars Room
Washington Black
An 11yo plantation slave becomes a personal servant to his master’s brother.
➽ “George Washington Black is the name of an 11yo plantation slave who is whisked out of his doomed life and given a fresh start as a personal servant for a rich white gentleman.
“His name is a hint at the political undertones of the novel – I think Edugyan is showcasing that the US is in danger of revisiting, philosophically, the bad old days.
“Washington is educated by his new master and their race for freedom takes them around the world and to London, with hints of Jules Verne’s Around The World in 80 Days and Charles Dickens’ Great Expectations apparent.
“It is an exciting and easy read, with a moral to discover between the lines, though the beginning of the book is more relatable than some of the outrageous and convenient tales that occur as you progress through the story. Though, I guess what the author is trying to say is that the world is your oyster when you start life as underprivileged and poorly treated as some minorities are.” – Rachel
We must all take on faith the stories of our birth, for though we are in them, we are not yet present.
➽ “Washington Black is a rip-roaring yarn with a real sense of adventure. Initially based in a setting of a Barbados plantation with a brutal slave master wreaking havoc and fear, the story takes a very different turn when Wash and the master’s brother escape one night.
This is where the adventure begins, however Washington remains shaped by his slavery experiences despite Titch’s attempts to show him a new life. I found this to be a sad book where despite Washington breaking free from slavery and achieving great things, he remained shaped by society’s expectations of him.” – Suzy
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Published 2018
Knopf Publishing Group
352 pages
An epic story of trees, ecological activism and US logging history.
➽ “It’s no exaggeration to say that they novel has genuinely changed my life. It’s a very solid work of fiction that has given me an awareness of our environment that I had previously not been able to glean from non-fiction reading.
“Trees are solidly the main characters of this novel and humans gravitate around them in various storylines that generally end up intertwining and impacting on one another .
“The novel had moment so of triumph but ultimately left me feeling saddened and desiring. Is there such a thing as environmental anxiety. I think I have that now.” – Suzy.
To solve the future, we must save the past. My simple rule of thumb, then, is this: when you cut down a tree, what you make from it should be at least as miraculous
as what you cut down
➽ “After reading The Overstory I gather that Powers is deeply concerned about the state of the world’s forests. But rather than use writing as a medium from which to lecture the masses, he has incorporated his fears and dreams into a quality work of literature that educates and challenges the reader.
“The story follows several characters who share a love and childhood memories of trees, and a desire to halt ecological destruction. Each character and their history is indepthly explored and is so fascinating that by the time their paths cross I was heavily invested in their plans.
“It did get a little preachy near the end, but I forgave Powers his taking of liberties for he had so entertained me for the many previous hours.
“What I found particularly interesting was the research on how it is believed trees, in their natural environment, are able to “communicate” with one another and how they assist one another in growing as a community. The book is worth reading for this information alone. I really hope it was all true, otherwise Powers’ credibility is shot!” – Rachel
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Published 2018
W. W. Norton Company
502 pages
A study on institutional living, via prison inmate Romy Hall who is serving two life sentences.
➽ “There has been a LOT of hype about The Mars Room so I went in with high expectations. Having just binge-watched the latest series of Orange is the New Black on Netflix meant that the content of The Mars Room didn’t feel as fresh for me – this is no fault of the author of course!
“I deeply felt the struggles of the mothers in prison with their children either being removed from them or being completely inaccessible.
“While there were the occasional funny situations and lines this book overall conveyed an enormous sense of helplessness and despair which seems accurate based on anything I’ve ever heard about the American justice system. I just wanted there to be a nugget of goodness in this novel, something uplifting that gave me hope, but it just wasn’t to be.” – Suzy
No Tank Tops, the sign said at Youth Guidance. Because it was
presumed the parents didn’t know better than to show up to court
looking like hell. The sign might have said Your Poverty Reeks.
➽ “The Mars Room is less about Romy Hall and more about the premise of institutional living and a commentary on your increased chances of ending up there if you are on the poor side of working class.
“It’s an intense, totally immersive read, retelling incidents and tricks of the trade that have obviously been well researched. What appealed to me was the no-hold barred reveal of tension-building tales.
“There is a late charge on plot, but I guess this is a true reflection of prison life, the mundane and the habitual making up your day until one day something outrageous happens.
“I certainly liked The Mars Room (though I would have named it differently), but at this stage in my shortlist reading, it hasn’t blown me away as something I think will win.” – Rachel
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Published 2018
Scribbler
338 pages
A young woman is pursued by a renouncer terrorist in 1970s Northern Ireland.
➽ “The unnamed narrator in Milkman is the glue that holds the book together. She is the apolitical in a political novel, the every day logic amongst the absurdity of strife. Middle sister, maybe girlfriend, whatever you want to call her, is generous with her thoughts and observations of her environment, which is The Troubles in Northern Ireland during the 1970s. Car bombs and telephone bugs are part of life yet so are the bizarre relationships she has with several characters. I liked her and her voice. A lot.”
“However, the real point of difference in this book is its vernacular. The prose is strikingly descriptive – sometimes things are described four or five or 20 times over, with as any synonyms as possible, and these parts were particularly fascinating. Burns uses some wonderful words in creative ways and I was just as intrigued by how this book was written as by the story itself.” – Rachel
Next came abortions and I had to guess them also, from ‘vermifuge, squaw mint, Satan’s apple, premature expulsion, being failed in the course of coming into being’ with any doubt dispelled by, ‘Well, daughter, you can’t disappoint me anymore than you’ve already disappointed me, so tell me –what did you procure and which of them drab aunts did you procure it of?
➽ “Whheewwww is how I felt when I finished this book. I think I would have enjoyed it a lot more had I not been in a rush to finish it alongside the other short-listers. It was a unique read and a massive eye-opener for me in terms of what life was like in a country with terrorism and very strong religious beliefs.
“It felt claustrophobic and oppressive and terrifying. It felt like I was wading through this novel rather than enjoying it – if wading was then intent of the author then goal achieved.” – Suzy
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Published 2018
Faber Faber
352 pages
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