An epic story of trees, ecological activism and US logging history.
➽ “It’s no exaggeration to say that they novel has genuinely changed my life. It’s a very solid work of fiction that has given me an awareness of our environment that I had previously not been able to glean from non-fiction reading.
“Trees are solidly the main characters of this novel and humans gravitate around them in various storylines that generally end up intertwining and impacting on one another .
“The novel had moment so of triumph but ultimately left me feeling saddened and desiring. Is there such a thing as environmental anxiety. I think I have that now.” – Suzy.
To solve the future, we must save the past. My simple rule of thumb, then, is this: when you cut down a tree, what you make from it should be at least as miraculous
as what you cut down
➽ “After reading The Overstory I gather that Powers is deeply concerned about the state of the world’s forests. But rather than use writing as a medium from which to lecture the masses, he has incorporated his fears and dreams into a quality work of literature that educates and challenges the reader.
“The story follows several characters who share a love and childhood memories of trees, and a desire to halt ecological destruction. Each character and their history is indepthly explored and is so fascinating that by the time their paths cross I was heavily invested in their plans.
“It did get a little preachy near the end, but I forgave Powers his taking of liberties for he had so entertained me for the many previous hours.
“What I found particularly interesting was the research on how it is believed trees, in their natural environment, are able to “communicate” with one another and how they assist one another in growing as a community. The book is worth reading for this information alone. I really hope it was all true, otherwise Powers’ credibility is shot!” – Rachel
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Published 2018
W. W. Norton Company
502 pages
A study on institutional living, via prison inmate Romy Hall who is serving two life sentences.
➽ “There has been a LOT of hype about The Mars Room so I went in with high expectations. Having just binge-watched the latest series of Orange is the New Black on Netflix meant that the content of The Mars Room didn’t feel as fresh for me – this is no fault of the author of course!
“I deeply felt the struggles of the mothers in prison with their children either being removed from them or being completely inaccessible.
“While there were the occasional funny situations and lines this book overall conveyed an enormous sense of helplessness and despair which seems accurate based on anything I’ve ever heard about the American justice system. I just wanted there to be a nugget of goodness in this novel, something uplifting that gave me hope, but it just wasn’t to be.” – Suzy
No Tank Tops, the sign said at Youth Guidance. Because it was
presumed the parents didn’t know better than to show up to court
looking like hell. The sign might have said Your Poverty Reeks.
➽ “The Mars Room is less about Romy Hall and more about the premise of institutional living and a commentary on your increased chances of ending up there if you are on the poor side of working class.
“It’s an intense, totally immersive read, retelling incidents and tricks of the trade that have obviously been well researched. What appealed to me was the no-hold barred reveal of tension-building tales.
“There is a late charge on plot, but I guess this is a true reflection of prison life, the mundane and the habitual making up your day until one day something outrageous happens.
“I certainly liked The Mars Room (though I would have named it differently), but at this stage in my shortlist reading, it hasn’t blown me away as something I think will win.” – Rachel
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Published 2018
Scribbler
338 pages
A young woman is pursued by a renouncer terrorist in 1970s Northern Ireland.
➽ “The unnamed narrator in Milkman is the glue that holds the book together. She is the apolitical in a political novel, the every day logic amongst the absurdity of strife. Middle sister, maybe girlfriend, whatever you want to call her, is generous with her thoughts and observations of her environment, which is The Troubles in Northern Ireland during the 1970s. Car bombs and telephone bugs are part of life yet so are the bizarre relationships she has with several characters. I liked her and her voice. A lot.”
“However, the real point of difference in this book is its vernacular. The prose is strikingly descriptive – sometimes things are described four or five or 20 times over, with as any synonyms as possible, and these parts were particularly fascinating. Burns uses some wonderful words in creative ways and I was just as intrigued by how this book was written as by the story itself.” – Rachel
Next came abortions and I had to guess them also, from ‘vermifuge, squaw mint, Satan’s apple, premature expulsion, being failed in the course of coming into being’ with any doubt dispelled by, ‘Well, daughter, you can’t disappoint me anymore than you’ve already disappointed me, so tell me –what did you procure and which of them drab aunts did you procure it of?
➽ “Whheewwww is how I felt when I finished this book. I think I would have enjoyed it a lot more had I not been in a rush to finish it alongside the other short-listers. It was a unique read and a massive eye-opener for me in terms of what life was like in a country with terrorism and very strong religious beliefs.
“It felt claustrophobic and oppressive and terrifying. It felt like I was wading through this novel rather than enjoying it – if wading was then intent of the author then goal achieved.” – Suzy
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Published 2018
Faber Faber
352 pages
READ FOR BOOKCLUB
Recommended by Sophia
A coming-of-age novel written as diary entries by a 1930s teenage girl living in poverty in an English castle.
➽ “What at first appears as a simple coming-of-age story is actually a cross-genre mediation on the history of the British novel. Sometimes Austen-esque, sometimes farcical, but ultimately modernistic, Smith’s characters break the norms of reader expectation to transcend the mere love interest plot line to be young women in charge. Cassandra, the main character not only portrays this in her romantic life but in her capturing of the castle, capturing it in words for the reader to enjoy, but capturing control of the family and its destiny. The descriptions of the castle’s many nooks and crannies are beautifully and often hilariously done within a complex narrative that is pure genius on the author’s behalf. Like no other book I have read before, I immediately felt the need to call this one of my favourite books. Thank you Sophia for introducing it into my life, someone who never fails me with recommendations.” – Rachel
➽ “I read this book totally believing I was reading a book written by a contemporary writer, written recently. So I was completely taken aback to find it was a story written during the period it was set, in the 1930s. It made me love it more! Yes, I loved it, from start to finish, although the romantic in me wanted a romantic happy ending and so was slightly unsatisfied … but would it have been as good if it had ended any other way? Probably not. I loved the romantic tension, the humour and the gentle philosophical meanderings about God and life and happiness, and the feminist undercurrent. It was also an easy read, so all in all a top book, and highly recommended reading.” – Sonya
➽ “I absolutely loved this book with a passion! I felt like Cassandra Mortmain was a dear friend and she could have told me about anything and I would have listened with rapturous delight. The writing was beautiful, the characters interesting, the story unpredictable and captivating with truly funny parts littered throughout. Dodie Smith was incredibly talented and I’m wondering how I had never heard of this book until a friend suggested we read it for book club – how is it not more widely (popularly) known as a classic? I feel grieved that I’ve finished it and can’t read it for the first time again – I’m actually getting truly sad (again) thinking about that!” – Jo
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Published 1948
William Heinemann
343 pages
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Chosen by Jodie
The true life story of Kharika Devkota, a five-year-old bride in rural Nepal.
➽ “While the subject matter of this book is extraordinary and quite an education, I felt the story had been done a disservice by the authors. The text is more a literal translation of what Kharika has said rather than a shaping of the information into something more affecting. Kharika’s story is incredible and worth knowing but I did struggle with the simple and at time’s waffly narration. I know many other books which detail stories half as incredible but are more powerful due to the author’s talents. For me, the highlight of our discussions was Jodie’s research and perspective on the subject matter as someone who has spent time in Nepal.” – Rachel
➽ “The woman at the centre of this semi biographical book is extraordinary – she has lived an incredible life filled with poverty, hardship, violence and loss. This book certainly provided a very interesting education into rural Nepalese life, a life for Kharika that is shadowed by sexist and oppressive customs. Women are second class citizens and although they seem to carry out most of the heavy work as well as running the home and looking after the children, daughters are largely regarded as burdens. One of the most disturbing parts of this book for me was Kharika’s marriage when she was left with complete strangers at the age of five. The book did plod along at times and seemed more like a record of her life which was quite repetitive at times – an opportunity lost to make the most of telling this amazing story.” – Jo
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Published 2014
Paua Publishing
428 pages
READ FOR BOOKCLUB
Chosen by Rachel
An unnamed narrator tells a story of domestic violence and modern marriage in India through the beauty of literature.
➽ “Named for James Joyce’s debut novel, this book examines modern Indian marriages and brutality in a way not done before. It is not simply a novel about domestic violence, it is an analysis on the art of writing about abuse. Kandasamy’s narrator does not perform victimhood but rather lays the facts bare in a banal, expected kind of way. In doing so she demonstrates how women of all walks of life suffer as such, and that they are women of intellect and ability, with hopes and dreams, not just “battered women”. I think the author has done here what so many writers have attempted before but failed at. She has written an exposé on domestic violence without using shock value, empowered others in the same position and created a work of art. It was a deeply satisfying read.” – Rachel
➽ “The poetic writing style of this suspected (not overtly confirmed by the author) autobiographical story makes for a beautiful read despite the horrific violence recounted. I feel educated about domestic violence – I always thought I understood why women stayed in abusive relationships but after reading her account my comprehension has deepened considerably. The survivor in this story needed to make sure others could see what she had been through in order to successfully escape without bringing further shame on herself and her family. A truly disturbing reveal of domestic violence and societal expectations and prejudice in India.” – Jo
➽ “When I Hit You is a raw and powerful novel about a young Indian women’s abusive and oppressive marriage. Kandasamy reveals what can happen behind closed doors of a marriage, a scary look into what some woman have to endure. Kandasamy has written a harrowing account of domestic violence in a beautifully artistic way – I thoroughly enjoyed her way with words. An incredible piece of writing I highly recommend.” – Jodie
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Published 2017
Atlantic Books
256 pages
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