The Whale Rider – Witi Ihimaera

whale riderREAD FOR BOOKCLUB

Chosen by Suzy

Kahu Apirana is a 12-year-old Maori girl who wants to become the chief of her tribe, but must battle her great-grandfather to make herself heard.

♥ “Maori chief Koro Apirana is angered when his grandson’s wife gives birth to a daughter. Leadership of the iwi is handed down to the eldest son of each generation and her birth has broken the tradition.

“As she gets older the girl, Kahu, demonstrates the talents and ability of the ancient Whale Rider for whom she was named but Koro constantly rejects her for being female.

“It’s this craving for her great-grandfather’s love that provides Kahu’s motivation to prove to herself, and the relationship between the two is at the heart of the story. Kahu seems to understand why her great-grandfather excludes her from tribal rituals and from his love, even though she disagrees with him.

“A book which has become a classic in New Zealand literature.”

Our Koro was like an old whale stranded in an alien present, but that was how it was supposed to be, because he also had his role in the pattern of things, in the tides of the future.

♥ “If you are a New Zealander and you haven’t read this book then for the love of God at least go and see the bloody movie!  But preferably read the book. Yes it’s essentially a children’s book but I was as happily enthralled in this as I have been in any novel written for adults. HURRY UP! READ IT!!” – Suzy

♥ “Usually I read the book and don’t even watch the movie, but did enjoy them in reverse in this instance. And I think it ruined the book for me a little as I couldn’t help but picture the movie as I read. Nonetheless, this is an excellent book that every New Zealander and every child trying to find their place in the world should read.” – Rachel

—–

Published 1987
Heinemann
122 pages

Middlesex – Jeffrey Eugenides

MiddlesexREAD FOR BOOKCLUB

Chosen by Nadine

Middlesex is a Pulitzer Prize winning novel which chronicles the impact of an intersex gene on three generations of a Greek family.

♥ “Protagonist Calliope (Cal) Stephanides undertakes a rebirth as he comes to terms with his family’s history and how it inevitably led to his hermaphroditic birth.

“The story starts in 1922 where Lefty and Desdemona Stephanides are fleeing war-torn Greece for a new life in America. Their anonymity hides their attraction to one another and the brother and sister are married. Their life in America is shared with their cousin and her family, only for their children, also cousins, to marry. Cal is born to the cousins as a girl and later discovers she has both male and female genitalia. Middlesex is the story is of Cal’s life as an intersex person, the sufferings, the joy, the friends and relationships.

“Gender, identity and rebirth all play a vital role in this 2003 novel as does duality of identification. All three generations of Stephanides must assimilate into American culture while also holding onto their ancestral heritage. Individuals are all given opportunities to reinvent themselves throughout the novel. And ultimately, it offers the message that however you identify yourself in terms of gender, ethnicity, nationality, or religion makes no difference. If you are at peace with yourself, your choices in identification are the right choices.”

I hadn’t gotten old enough yet to realize that living sends a person not into the future but back into the past, to childhood and before birth, finally, to commune with the dead. You get older, you puff on the stairs, you enter the body of your father. From there it’s only a quick jump to your grandparents, and then before you know it you’re time-traveling. In this life we grow backwards.

♥ “Middlesex takes you on a sweeping journey and was quite different to what you might expect from a book about a hermaphrodite. I liked it, but upon reflection I think something didn’t quite gel for me.” – Nadine

♥ “Carefully handled story of a hermaphrodite who struggles with identity issues. Tracing the gene through generations of family provided many interesting stories and gave the novel more of an epic feel. An intriguing book that covers a unique topic, with charming characters to lead you through the story.” – Rachel

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Published 2002
Farrar, Straus and Giroux
544 pages

2008 – The First Rule of Bookclub

2008Actually there is no first rule of bookclub, that’s the fabulous thing about it. The phrase, obviously borrowed from Chuck Palahniuk’s The Fight Club, was actually initiated by the husbands, perhaps mockingly, though I’d hope in a jealous of-our-bond kind of way. (I’m sure it’s not because they don’t want to hear about it … ?!) Whatever the case, the phrase appears to have stuck and has come to mean everything and also nothing, for there are no rules in bookclub but it is everything to us. 🙂

In 2008 all three bookclubbers remain. Fully engaged and into the swing of things we are eager to explore more authors and genres and share our past literary loves.

We have chosen four books each over the year and plan to meet every three weeks. Many of our choices are classics though we’ve thrown in a couple of modern New Zealand novels and a fictionalised non-fiction, too.

Middlesex – Jeffrey Eugenides
The Whale Rider – Witi Ihimaera
Disgrace – J M Coetzee
The Child In Time – Ian McEwan
Lady Chatterley’s Lover – D H Lawrence
Accordion Crimes – Annie Proulx
The God Of Small Things – Arundhati Roy
In Cold Blood – Truman Capote
The Sound of Butterflies – Rachael King
Wuthering Heights – Emily Bronte
And Then There Were None – Agatha Christie
The Plague – Albert Camus

2007 – End of year thoughts

45590e8590de878109016747cb0251ab.pad-eeeeee.632x474At the end of the year we decided to head out for lunch and discuss the year’s readings.

We dined at Stoneridge Cafe in the Moutere countryside and discussed our favourite scenes, literary devices, characters and fictional love interests. And, we came up with following:

 

Book of the year:
Rachel: The Wind-Up Bird Chronicle
Suzy: Catcher In The Rye
Nadine: Life Of Pi

Runner up best book:
Rachel: Atonement
Suzy: Atonement
Nadine: The Wind-Up Bird Chronicle

(Haha and from what I remember, Nadine’s husband made us *awesome* bookclub bookmarks – Suzy)

The Metamorphosis & Other Stories – Franz Kafka

The-Metamorphosis

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Chosen by Rachel

Gregor Samsa awakens one morning to discover he has turned into a giant insect, in this 1915 novella. An establishing story in the existentialism genre.

“Gregor Samsa one day wakes to find he has turned into a dung beetle. His family is repulsed by him. His sister eventually offers feeble attempts to care for him, but it is clear that his family do not accept him when he is different from the breadwinning and ordinary man he once was. Kafka had a difficult relationship with his own father and this is detailed in the many letters he wrote to him, all of which were subsequently published.

“The unacceptance of a child who is different is a universal theme, but at the time The Metamorphosis was published, it was unheard of to express those emotions in such a metaphorical way. As such this short story become an establishing story in the existentialism genre and remains relevant today in the ways in which society judges groups and individuals for being unique.

“The other short stories we read for this bookclub meet where In A Penal Colony and A Country Doctor.

“In the former an explorer tours an island which has become famous for its capital punishment machine, which tattoos apt words and phrases into the skin until the person dies. Though there is an obvious pointer to the themes of justice and guilt and implementation of the law, In A Penal Colony is considered to be an allegory comparing the Old and New Testaments and therefore a shift in the relationship between human existence and divine law. Whatever the case, an examination of the treatment of people, both just and unjust, can be taken from this text.

“In the latter, a country doctor leaves for an emergency on a winter’s night, only to face a series of surreal and absurd predicaments. His horse dies but a groom appears from nowhere to offer him two magnificent replacements. Without riding them he is suddenly in the patient’s room and at first can find no emergency, only to then discover serious illness and then find himself in place of the patient, the horses with their heads in the window neighing frantically.

“Lacking the ability to assess and react to situations, the doctor allows himself to be manipulated by the groom, the family, and the horses. By submitting he becomes a tool, never, attempting to resist.

As doctor he is a thing, an object, a tool; as man he is nothing.

“None of us had read Kafka before this bookclub meet (shame on us!) and we realised how much these stories make so much contemporary literature make sense. We are indebted to Kafka for his own brilliant fiction but should also be for the influence he’s had on many celebrated modern writers. The stories in themselves are extreme and ask you as the reader to be willing to accept impossible possibilities and look for deeper meaning. If you can do this, these stories are extraordinary.”

—–
Published 1915
Kurt Wolff Verlag, Leipzig
52 pages

Atonement – Ian McEwan

atonement

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Chosen by Suzy

A girl’s half-innocent mistake ruins the lives of those around her, and she spends the rest of her life attempting to atone. 

Briony Tallis, a 13-year-old from an upper class family spies an intimate moment between her sister and the neighbouring boy, Robbie, in the home’s library. She is shaken, presuming it a physical assault. Later that evening her twin cousins run away, search parties are organised and Briony, searching alone, comes upon her 9-year-old cousin Lola being assaulted in the darkness by someone she is convinced must be the monstrous Robbie. Her testimony changes the course of all their lives.

“In part II of the book, Robbie, now with the British Expeditionary Force in France, is wounded and making his way to Dunkirk for evacuation.

“Briony is a nurse, fixing up fallen soldiers day after day, itself some kind of atonement. She now realises her mistake and is determined to make amends by recanting her testimony which she puts on paper in novelistic form before approaching her long unseen sister.

“However, it soon becomes apparent that not is at all how it seems and that storytelling, as witnessed in the opening pages with 13-year-old Briony’s failed attempt at playwrighting, is an important part of the plot. The sustained  illusion is anchored in an authentically detailed historical setting with the psychological nature of the book slowly revealed.”

How can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God? There is no one, no entity or higher form that she can appeal to, or be reconciled with, or that can forgive her. There is nothing outside her. In her imagination she has set the limits and the terms. No atonement for God, or novelists, even if they are atheists. It was always an impossible task, and that was precisely the point. The attempt was all.

“The thing I love about Ian McEwan is his ability to refashion ordinary things into sensory experiences. Reading his work makes me feel as though I’ve been there, met the folk and lived the complexities of their lives. Atonement is no different. And in fact probably better. Robbie and Cecilia are my friends, I can see the vast Tallis mansion behind my eyes and will remember the scene on Dunkirk for a long time to come. I adore this book.” – Rachel

“This book still haunts me!  The retreat to Dunkirk was so evocatively written that I felt I could have sat down with a soldier who was there and genuinely related to him and discussed it as a shared experience (yes I *do* realise how ridiculous that sounds). One of my all-time favourites and one of the few novels where I think the movie has done it justice.” – Suzy

—–
Published 2001
Jonathan Cape
371 pages

The Unconsoled – Kazuo Ishiguro

UnconsoledREAD FOR BOOKCLUB

Chosen by Rachel

Ryder, a famous pianist, arrives in a European city to perform a concert. However, he appears to have lost most of his memory and finds his new environment surreal and dreamlike.

“Ryder is an accomplished artist, renowned concert pianist and respected public figure. But he may have wasted his life. In this book the hero/anti-hero wades through the pages and locations within in a dream like fashion. People appear and disappear, locations morph into one another, storylines up and change on you. Every page is a catalogue of lost opportunities and time-wasting.

“Although there is little sense of coherent logic, this is a heavy plotted book with well-structured characters and suitable outcomes. This balance ensures symmetry, a consistent flow to the story telling and always an incentive to read on.”

Your wound, your silly little wound! That’s your real love, Leo, that wound, the one true love of your life! I know how it will be, even if we tried, even if we managed to build something all over again. The music too, that would be no different. Even if they’d accepted you tonight, even if you became celebrated in this town, you’d destroy it all, you’d destroy everything, pull it all down around you just as you did before. And all because of that wound. Me, the music, we’re neither of us anything more to you than mistresses
you seek consolation from.

“While some may say this book was baffling, I found the confusion consistent. It made Ryder a believable character and heightened my sense of intrigue. Once I accepted things were not simple, nor offered in a succinct manner, I enjoyed the roller coaster ride. I was happy with the conclusion too, it suited the chaos of the narrative. To have everything spelled out and explained on the final pages would have been a disappointment.” – Rachel

“I didn’t really enjoy this book – I know a lot of it probably went over my head. Also, I couldn’t relate to the main character so I think it lost me there and then.” – Nadine

—–
Published 1995
Faber & Faber
535 pages

2007 Bookerthon

Booker 2007We thoroughly enjoyed our first Bookerthon, and feel privileged to have read six of the best books of the year one after another. We are pleased to see a Kiwi amongst the contenders, as well as Ian McEwan, whom we both adore.

In picking our winners, we have considered the following categories: readability, significance and writing style (from a complete novice point of view!)

Overall, we consider five of the six to have qualities worthy of winning: Mister Pip, The Reluctant Fundamentalist and Animal’s People are all profound and human, set amongst real-life atrocities, and Darkmans is a detailed and unique story. On Chesil Beach is from the master himself, and while we do both respect his genius, we have differing views of where this one sits in the shortlist favourites order.

The book we do not think is a contender is The Gathering. Something so dreary fails our readability criteria and couldn’t make up for it with the other two categories.

In the end we’ve both picked our favourites for the same reasons: slap-in-the-face reality, highly developed characters and ability to promote a cause through a fictionalised truth. So for Rachel it’s Animal’s People and for Suzy Mister Pip.

Best book 1-6: Rachel:

Animal’s People
Mister Pip
The Reluctant Fundamentalist
On Chesil Beach
Darkmans
The Gathering

Best book 1-6: Suzy:

Mister Pip
On Chesil Beach
Animal’s People
Darkmans
The Reluctant Fundamentalist
The Gathering

On Chesil Beach – Ian McEwan

on-chesil-beach1

READ FOR BOOKERTHON

In this novella a newly married couple reflect on their pasts and as a result question their marriage while honeymooning on Chesil Beach.

“The opening line of On Chesil Beach sums up the rest of the content: ‘They were young, educated, and both virgins on this, their wedding night, and they lived in a time when conversation about sexual difficulties was plainly impossible.’

“It is 1962, the cusp of the sexual revolution, and two very English characters are contemplating the role of sex in their newly declared marriage. There are many factors that contribute to their differing views, not contained to the time and place, but also societal class systems and other goings on in their familial histories.

“The real-life Chesil Beach in Dorset, on the south-west coast of England, is alive and relevant to the storyline. The beach is one of the few shingle beaches in the UK. Its view of the ocean and rocky composition represent both openness but also difficulty/slippery footing associated with reaching that openness.”

A sudden space began to open out, not only between Edward and his mother, but also between himself and his immediate circumstances, and he felt his own being, the buried core of it he had never attended to before, come to sudden, hard-edged existence, a glowing pinpoint that he wanted no-one else to know about.

“While I am an Ian McEwan fan of the highest order, On Chesil Beach left me wanting. There was his usual mastery of prose but somehow it seemed too easy. I’m being critical, obviously, because even a bad Ian McEwen book would be better than most texts on the bookshop shelves!, but I guess being the huge fan that I am means I am being extra tough on him. Don’t get me wrong, it is still a great read, I just didn’t feel overwhelmed with fervour and emotion as I have with his other masterpieces. Edit: Now years later, I look back on this book with fondness and admiration. Without a re-read. I’m not sure what changed but it’s funny how hindsight and time to reflect can change one’s opinions.” – Rachel

—–
Published 2007
Jonathan Cape
166 pages

Mister Pip – Lloyd Jones

Mister_Pip_(Lloyd_Jones_novel)

READ FOR BOOKERTHON

In the world of Mister Pip, reading Dickens represents salvation for a community ravaged by conflict.

“Lloyd Jones’s novel is set in a village on the Papua New Guinea island of Bougainville during the 1990s civil war. Jones covered it as a journalist, and in his novel he never shies away from the realities of daily life shadowed by violence. Matilda, the 13-year-old narrator, details how the helicopters circle, the generators are empty and all the teachers have fled.

“One white man remains. Mr Watts believes in the power of literature to set minds free. He reads the children Great Expectations and in it they find something just as vital as medicine and kerosene: ‘a bigger piece of the world’. Like many readers before her, Matilda falls in love with the fictional Pip, but ‘Pip’ is mistakenly assumed by soldiers to be a rebel fighter and then the boundary between fiction and reality dissolves.

I had found a new friend. The surprising thing is where I’d found him – not up a tree or sulking in the shade, or splashing around in one of the hill streams, but in a book. No one had told us kids to look there for a friend. Or that you could slip inside the skin of another. Or travel to another place with marshes, and where, to our ears, the bad people spoke like pirates.

“A clever, enthralling, devastating book.” – Suzy

“I enjoy books set in real life conflicts, to be educated/shocked and entertained all at once. Here Jones takes a little known conflict and into it inserts fabulous characters. The protagonist, Matilda, and the re-invented Pip are both fully developed characters who bring innocence and a harsh reality to the real-life conflict. I enjoyed not only the harsh differences but also the parallels between story telling and war. A touching and haunting book with snippets I had to read from behind my hands. An important book; one not to be forgotten.” – Rachel

—–
Published 2006
John Murray
256 pages