READ FOR BOOKCLUB
Chosen by Rachel
This seemingly simple story of a Japanese man whose cat runs away is anything but.
❖ “I couldn’t wait to re-read and share this, my #1 favourite book of all time. I was nervous too, knowing how much of an emotional journey this is, worried the others would not love it as much as I did. But after page one I had settled into it, like a comfy old chair and I once again got lost in Murakami’s genius.
“The dopplegangers, which I did not realise on on my first read, were especially enjoyable to analyse on my second reading. I think this is a book which would keep on giving on subsequent readings as there is so much depth invested into every character and every scene. I am already looking forward to the time when I read Wind-Up Bird for a third time.
“This is an indescribable masterpiece and one I would recommend to anyone and everyone. It may have seemingly limitless depth but its simplistic writing style makes it is accessible to everyone.
“During my second reading, and with a number of other Murakami books under my belt, I also appreciated the work of translator Jay Rubin further. To have translated this epic tome without losing the mystique nor simplicity, makes him the co-author.” – Rachel
You might think you made a new world or a new self, but your old self is always gonna be there, just below the surface, and if something happens, it’ll stick its head out and say ‘Hi.’ You don’t seem to realize that. You were made somewhere else.
❖ “This was the first book of Murikami’s that I’ve read. It was confusing and our bookclub analysis afterwards cleared up a lot of my questions. Murikami has a unique way of writing with characters having two selves and the existence of a parallel world. A complex story written in an easy to read way. Totally fabulous despite the heinous skinning description!” – Jo
Published in Japanese 1994
Translated into English by Jay Rubin 1997
Knopf
607 pages
What’s in a title? I mean, where did Hard-Boiled Wonderland & The End of the World come from? And how would we refer to dilemmas from which there is no escape because of a mutually conflicting condition if Joseph Heller had gone with his first title idea: Catch-11.
Yes, titles take time and are often best formulated once the story has been written and examined from all angles for a period of time.
So, for six years now, we have referred to ourselves solely, and factually, as “bookclub”. While there were occasional discussions about an official name, nothing eventuated; enough time seemed to have not passed. Now we have come to realise that the couple of descriptors we have come to use when we talk of ourselves must be incorporated into titles of some kind.
First there is free range. Free of boundaries and limitations. Free to roam with our ideas and opinions. And then there is the word coined by our husbands but embraced by us: nerdy. Perhaps it is time to incorporate both names. The Free Range Bookclub we will be officially. But amongst ourselves (and our husbands) we’ll always be nerdy bookclub.
🙂
Recently we welcomed a fifth member – we have never been so abundant! – and that is the lovely Nicole. Welcome!
As far as book choices go this year we have opted to each pick two of our favourites of all time, so we can share our true literary loves. Lots of re-reading for some, a luxury we don’t get often enough, which introduces a whole new level of understanding and conversation. Oh yes, what a schedule we’ve got lined up:
The Wind-Up Bird Chronicle – Haruki Murakami
Perfume – Patrick Suskind
The Catcher In The Rye – J D Salinger
The Little Stranger – Sarah Waters
The Member Of The Wedding – Carson McCullers
Catch-22 – Joseph Heller
Flowers In The Attic – Virginia Andrews
To Kill A Mockingbird – Harper Lee
The God Of Small Things – Arundhati Roy
What a year with Kiwi new releases lining the bookshelves and winning important accolades. To name just a few; Emily Perkin’s The Forrests, Paula Morris’ Rangatira, Charlotte Grimshaw’s Cool, C K Stead’s Risk and even a posthumous collection of stories by Janet Frame.
It’s no wonder then that Australian publisher Text Publishing has begun reviving lost New Zealand and Australian classics, much to the delight of literary readers Down Under. Classics we love and others we’ve never heard of are now easily accessible.
As we pondered out growing TBR piles, we headed to the Jester Cafe in the Tasman countryside to sit in the sun all day, eat organic delicacies, order refills and talk literature.
Our reading list in 2012 has provided us with much to agree upon. Some years our highlights and low-points are varied, but this year we managed to put together a list of books and poetry that were likeable and meaningful to us all. With the exception of one book, but we all agreed on the unlikeable nature of the story and the autobiographical protagonist too!
Book of the year:
Rachel: Of Mice & Men
Jo: The Bell
Suzy: The Parihaka Woman
Sophia: Slaughterhouse Five
Nicole: The Bell
Runner up:
Rachel: Slaughterhouse Five
Jo: Under The Net
Suzy: The Bell
Sophia: Under The Net
Nicole: Of Mice & Men
READ FOR BOOKCLUB
Chosen by Rachel
A 1937 novella which details the life of George and Lennie, two displaced migrants looking for ranch work in Southern California during a time of drought.
George is the central character. He’s described as small of stature, but a strong-willed man who is in charge and not afraid to speak his mind. He has a firm plan, to save enough money to set up a small stakeholding.
His off-sider Lennie is a large, strong man but is simple and does not understand his strength nor have much self control. He relies on George to look after him and lead him through life. He likes nothing more than to hear George talk of their dreams of owning land, in particular the part where Lennie gets to look after the rabbits.
The pair get work on a ranch and we meet a handful of characters who support the themes of loyalty and compassion, loneliness and ambitions, for they all hope for something more than they have. Yet being in close quarters without much to call your own and when times are hard can bring about unfortunate circumstances.
Of Mice & Men is widely considered a classic though it has been subjected to censorship for various reasons including vulgarity, treatment of women and the close friendship of the men. Bans have been in place off and on since 1937 right up until this century.
I ain’t got no people. I seen the guys that go around on the ranches alone. That ain’t no good. They don’t have no fun. After a long time they get mean. They get wantin’ to fight all the time. . . ‘Course Lennie’s a God damn nuisance most of the time, but you get used to goin’ around with a guy an’ you can’t get rid of him.
© “Of Mice and Men is a tribute to literature and to humanity. It understands the complexities of relationships in a simply told story. It has influenced pop culture and human nature so much that reading the book in this day and age feels like the story is already known. It must have been a shock and a delight to read it upon first publication. One of my favourite all time books. I have thought of this book a lot since I first read it and the joy of a re-read is nearly just as good.” – Rachel
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Published 1937
Covici Friede
187 pages
READ FOR BOOKCLUB
Chosen by Suzy
The sequel to The Vintner’s Luck in which the angel Xas settles in Hollywood 1929 and becomes involved in the seductive movie industry.
© “Movie director Conrad Cole is working late on elaborate plans for his aeroplanes and his films, when Xas, a mysterious stranger appears at his door.
“The angel ends up involved in the glamorous and treacherous world of movie-making and entangled with both Cole and a young woman who owes her life to the eccentric director. Both of them are drawn to Xas without knowing his secret – that under his shirt he hides the remnants of great snowy wings that set him apart from humankind, and that he is destined to wander the earth forever, always hearing the beating of feathers behind him, threatening him that his dark brother has found him again.
He said, ‘Sooner or later one of Them is going to try to explain Himself to me. God—or Lucifer. But though there may be a reason why my wings were cut off, a reason for doing it, and for letting it be done, the reason is nothing compared to the act. The world of the act is a different one from the world of the reason.
© “I was bewildered by this book after the beautiful setting of The Vintner’s Luck, which was soothing, solid and earthy. Once I settled into the new airy rhythm of The Angel’s Cut I felt privileged to be gaining more insight into Xas’s adventures. I am absolutely delighted to know there is going to be a 3rd installment!” – Suzy
© “After reading The Vintner’s Luck so many times and continually wondering where Xas would go from there, I was super excited to hear about the publication of The Angel’s Cut. A huge deviation in location from the first book, but it needed to be, I think, and of course Elizabeth Knox has done the timing, the setting and the characters justice. I loved re-connecting with Xas and adored the book. Though of course, no sequel could ever rival The Vintner’s Luck!” – Rachel
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Published 2009
Victoria University Press
464 pages
Most people expect the finalists on an awards list to be varied, to encompass a wide spectrum of styles, opinions, and to represent many backgrounds. However often such lists have a common thread or theme running through them, especially in response to world events of the previous years.
It’s not often we think a Man Booker shortlist is truely diverse. But this year we do. Reading the six shortlisters was like and being tossed about in a washing machine for five weeks – the shortlisted books are so contrasting, in style, genre, narrative and even pace, that it took a bit of mental energy to jump from one to the other.
The Lighthouse is deep and mysterious, the style delicious and the events surrounding a man’s memories of childhood abandonment are unfolded with perfect timing; Narcopolis is set in a Bombay Opium den and is atmospheric and meditative, and felt like it provided an experience; Swimming Home is a nicely paced book about a stranger who appears naked swimming in a hotel pool. It is a personality heavy book with characters who are troubled albeit likeable; The Garden of Evening Mists is about an ex POW turned apprentice gardener. It’s interesting, historical story is a real scene setter; Umbrella is a stream-of-consciousness novel based on the true story of a patient being awakened after 53 years with a new drug; Bring Up The Bodies is the sequel to Wolf Hall, the continued story about Thomas Cromwell, advisor to Henry VIII.
Without insight on the judges criteria it’s hard to know what will appeal to them most this year. As far as we are concerned, we’d be happy if any of The Lighthouse, Narcopolis, Swimming Home or The Garden of Evening Mists won. They are well constructed and likely appealing to many people.
As for the other two, both of us agreed that Umbrella was too erudite for us to be able to name it the best of the six, and Bring Up The Bodies, well like it’s predecessor it is so indepthly about a historical time that is neither relevant to us nor part of our history so its hard to find a connection nor joy in the retelling of these events.
Best book 1st-6th: Rachel:
The Lighthouse
Swimming Home
The Garden of Evening Mists
Narcopolis
Umbrella
Bring Up The Bodies
Best book 1st-6th: Suzy:
The Garden of Evening Mists
The Lighthouse
Narcopolis
Swimming Home
Umbrella
Bring Up The Bodies
A middle-aged Englishman suffers memories of childhood abandonment as he embarks on a walking holiday
Futh is an Englishman leaving his wife. He stands on the deck of a Ferry about to embark on a walking holiday around Germany. One of first things he tells us, the reader, is about a previous time he stood on this same ferry, that time with his father after the break up of his marriage. This is one of many replications or coincidences in the novel that have you wondering how much of what Futh says is accurate.
Much of the book concentrates on Futh’s memories of abandonment and familial tumult. There are a number of marriages and relationships within his blended family and some startling plot tendrils left dangling about who may have been having affairs with whom.
The Lighthouse‘s construction focuses on themes of grief and loss, of the cyclic nature of hurt and all the emotions that come to the fore when abandonment has taken place.
And Futh, looking at the lighthouse, wondered how this could happen–how there could be this constant warning of danger, the taking of all these precautions, and yet still there was all this wreckage.
The plot is more about the memories than the events of the walking tour, and it is quite unputdownable. The unfolding of events and truths is measured and creatively done. Suzy noted how Futh makes for an awkward protagonist and suited his uncertain setting. Rachel loved how there was a continual element of surprise, right to the very last page.
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Published 2012
Salt Publishing
192 pages
A former Japanese prisoner of war becomes an apprentice gardener and tries to make sense of her life
© Supreme Court judge Teoh Yun Ling retires from her role prosecuting war criminals in Kuala Lumpur and returns to the Malaysian hilltops in 1951. As a prisoner of war camp survivor she despises all things Japanese yet she wishes to build a garden for her sister who died in the camp, and who loved the gardens of Kyoto.
The gardener is Nakamura Aritomo, self-exiled from Japan after a fallout with his employer, Emperor Hirohito. He is building “a garden of evening mists” when he meets Yun Ling. Instead of building her garden, he offers to take her as an apprentice and teach her the art of Japanese gardening. Yun Ling accepts and the two begin a complicated and philosophical relationship.
All the characters, including a secondary character, a South African called Magnus reveal how they have been damaged by the actions of others. A theme based on remembering and forgetting is further reinforced by the fact Yun Ling suffers from aphasia. The themes are also represented by the lush plantings and serene outlook of the gardens. The stillness and silence of the valleys and hills suit the story told slowly.
Memory is like patches of sunlight in an overcast valley, shifting with the movement of the clouds. Now and then the light will fall on a particular point in time, illuminating it for a moment before the wind seals up the gap, and the world is in shadows again.
This is a sensitively told tale of cultural history and includes a good old love story. Rachel found it an ethereal read. Suzy loved the pace, the plot and the ponderous offerings, which resulted in a captivating writing style. We both enjoying learning the secrets to Japanese gardening too, the results of which represent and respect Japanese traditions and beliefs.
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Published 2012
Mymidon Publishing
448 pages
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