READ FOR BOOKCLUB
Chosen by Jo
Lolita is the story of a European scholar named Humbert Humbert who confesses to being obsessed with ‘nymphets’, ie young girls. He travels around America with his new wife and her pre-teen daughter Lolita and slowly becomes more and more obsessed with the 12 year old.
Humbert Humbert is a perpetrator but considers himself a victim and a wild romantic in his obsession with the young girl. Whereas most readers would find him a lecherous pervert. Yet somehow the author has brought this tragic character to life without causing the upset you’d expect.
When it was first published in 1955 in Paris, Lolita was banned for its controversial content. Critics described it as a pedophile’s ideal. Fans applauded the work’s originality and wit. The mixed-genre classic has since become widely read, accepted and championed.
Author Vladimir Nabokov argues that “what makes Lolita something more than either a case study of sexual perversion or pornographic titillation is the truly shocking fact that Humbert Humbert is a genius who, through the power of his artistry, actually persuades the reader that his memoir is a love story.”
The road now stretched across open country, and it occurred to me – not by way of protest, not as a symbol, or anything like that, but merely as a novel experience – that since I had disregarded all laws of humanity, I might as well disregard the rules of traffic. So I crossed to the left side of the highway and checked the feeling, and the feeling was good. It was a pleasant diaphragmal melting, with elements of diffused tactility, all this enhanced by the thought that nothing could be nearer to the elimination of basic physical laws than deliberately driving on the wrong site of the road.
✔ “I was fully prepared to hate this book given its awful theme, however I was pleasantly surprised at how beautifully told this story really is. It’s very clever with Humbert being our unreliable narrator and Delorus or Lolita’s voice is effectively silenced – the reader needs to read between the lines to understand the true nature of their relationship which is wholly ambiguous. A must read.” – Jo
✔ “It was Sophia who introduced me to Lolita years ago so I have her to thank for this perturbing read! The thing with Lolita though, is that it is the disturbing nature of it which makes it so grotesquely spectacular. It’s hard to know whether to love it or hate it, but there is the feeling that your emotions are being toyed with, by Humbert Humbert or by the author, or perhaps both. This is a book that messes with your mind – and that’s why it’s worth it.” – Rachel
—–
Published 1955
Penguin
368 pages
A year in the life of a Booker judge must be such a challenge. What is the best book of the year? Is it one that represents the past 12 months on a global scale? Is it one that tackles serious topics, or one which brings a light heartedness to proceedings? Should the shortlist lead the way in literary talent or be an indication of the tried and true?
And, what is the most palatable level of readability? Pushing the boundaries too much might deter readers but not providing some intellectual challenge could be a mistake too.
After reading this year’s shortlist, we are under the distinct impression that these finalists are all sitting someone amongst the middle of all these criteria. Each and every one is readable and attainable and any reader could safely pick up one of these books and not be overwhelmed nor bored.
Whether this was intentional or not we are not sure, perhaps there was a conscious decision to sway away from the more scholarly books, or perhaps this year’s judges just prefer a good, rollicking read.
We are not complaining as we read every book with gusto, enjoyed them all, and felt able to recommend them all to fellow bookies. However, we are slightly disappointed that we didn’t discover some miraculous literary talent that would change our lives. But we found the books approachable and enjoyable and can’t really complain, though they probably won’t sit atop any of our all time favourites’ lists.
Jamrach’s Menagrie is a startling story of men lost at sea during the Victorian era, The Sisters Brothers a hilarious Western parody, and Pigeon English is a shocking mystery based around a poor immigrant family.
The Sense Of An Ending is a touching look at memories and the loss of them, Half Blood Blues covers some serious post war issues in an entertaining way while Snowdrops studies personal relationships in a frozen Moscow winter.
While we may disagree on what should top the list, we both agree that are all worthy of recommendation. You couldn’t go wrong with this year’s shortlist if you want to add some safe bets to add to your TBR pile.
Best book 1st-6th: Suzy:
The Sisters Brothers
Snowdrops
Pigeon English
Jamrach’s Menagerie
Half Blood Blues
The Sense Of An Ending
Best book 1st-6th: Rachel:
The Sense Of An Ending
Jamrach’s Menagerie
The Sisters Brothers
Snowdrops
Half Blood Blues
Pigeon English
Ghana migrant Harrison Opoku unbalances the hierarchical balance in his community when he speaks out about the murder of school mate.
✔ “Harri Opoku is 11 years old when he moves from Ghana to a London housing estate with his mother and sister. The estate is filled with gangs and violence and routines unfamiliar to an immigrant. But more troubling to Harri is the usual trauma of simply growing up, of who will be his friend and whether he can remain the fastest runner at school.
When a boy in his class is murdered, Harri and his new friend Dean decide to play detective, hunting down clues from around the estate and observing people who seem suspicious, in a search for the killer. But their investigations start to draw some unwanted attention.
As well as the obvious reference to the Pidgin English spoken by many immigrants, the title also refers to an actual pigeon which Harri thinks is watching over him, and guiding and protecting him during his dangerous pursuit.
What your problem is, you’re all just a raindrop. One of an endless number. If only you’d just accept it, things would be so much easier. Say it with me: I am a drop in the ocean. I am neighbour, nation, north, and nowhere. I am one among many and we all fall together. Or maybe I’m just a rat with wings and I don’t know what I’m talking about.
Suzy and Rachel ended up with different views of Pigeon English.
The story of desperate immigrants told from the point of view of a young protagonist who is seeing and experiencing a new world for the first time was appealing to Suzy. It was heart-warming, harrowing and deeply personable.
Rachel agreed but found the narrative wandered a bit of course sometimes. Plus the narrative wasn’t always convincing as being from an 11-year-old boy. Or a pigeon. But still very readable.
—–
Published 2011
Bloomsbury Publishing
288 pages
An English retiree challenges his fading memory with the arrival of a lawyer’s letter
✔ The unreliability of memories are often fictional fodder. Feeding out snippets of truths and half truths and making the reader work out who is reliable and who is not is a great way to engage the reader.
The Sense of an Ending is quite upfront about its unreliability. The protagonist, Tony Webster, has a reasonable life behind him and is nonplussed about ageing and his fading memories.
That is until he receives a lawyer’s letter informing him he has been left the diary of a man whom he barely recalls from his school days. He must search his memories, and learn what memories to trust, in a bid to understand why he has been left the diary.
How often do we tell our own life story? How often do we adjust, embellish, make sly cuts? And the longer life goes on, the fewer are those around to challenge our account, to remind us that our life is not our life, merely the story we have told about our life. Told to others, but—mainly—to ourselves.
The first part of this book is about Tony’s younger years, his loves and lust and first marriage. All the “truths” are offered to the reader here. The second part of the book goes about undermining that information.
Rachel found it a nicely constructed novel. “I was totally invested in the fear of lost memories and constantly attempting to establish the truth.” However, despite the interesting premise, Suzy found the layers of truths and untruths messy and did not connect with the characters.
—–
Published 2011
Jonathan Cape
163 pages
Eight-year-old Jaffy Brown escapes the Victorian slums and sets sail for a better life.
✔ A 19th Century street urchin named Jaffy Brown is at the heart of his book. In search of a better life, he works for Mr Charles Jamrach, an importer of exotic animals. Jaffy and another working boy Tim become close friends and allies.
The two boys are convinced to undertake a three-year whaling expedition in order to capture a spectacular ocean beast for their boss.
It is hard to say much more about the plot without giving everything away, but what occurs is not only a sea-faring adventure story the likes of Moby Dick, but ends up somewhere readers would not expect. Taffy and Tim only have each other and their sense of friendship and survival depends on them confronting and mastering their own existence as animals.
It was the first smile of my life. Of course, that is a ridiculous thing to say; I had been smiled at often, the big man had smiled at me not a minute since. And yet I say: it was the first smile, because it was the first that ever went straight into me like a needle too thin to be seen.
The 19th Century London setting and the protagonist Jaffy are both well established from the outset. The smell of the slums, the lonilness of Jaffy and the desperation to get by are all felt intently. This makes the contrast of the pages at sea more glaring.
However it’s this contrast in the stories and the settings that helped form our final opinions of the book. Rachel was left shocked by the dramatic change and suggests not reading the back cover blurb if you too like a bit of shock factor. Suzy found the shock change a little jarring and though not inkeeping with the original premise of the book, would still recommend it.
—–
Published 2011
Canongate Books
348 pages
British lawyer Nick is seduced by the dangerous Masha while working in Moscow and ends up finding himself buried in secrets.
✔ Nicholas is a single, 38-year-old British lawyer working for banks lending money to Russian corporations. His time in Moscow is full of luxuries and excesses.
With no intention of becoming attached to anyone, he meets by chance the alluring Marsha and is besotted. However, Marsha’s glamour and bewitching nature belie the secrets and the danger that surrounds her. She encapsulates what we have come to know of 1990s Russia: corruption, sleaze and desperation. And corpses.
That’s what I learned when my last Russian winter thawed. The lesson wasn’t about Russia. It never is, I don’t think, when a relationship ends. It isn’t your lover that you learn about. You learn about yourself.
Snowdrops a psychological drama that blends two people’s contrasting worlds with such pace and energy that they soon appear as one big muddle.The snowy setting provides great atmospheric scene setting for drudgery and hidden secrets, ‘snowdrop’ being Moscow slang for a corpse hidden by snow, revealed only when the ice melts.
This is a love story and a crime story, and we couldn’t help but be pulled into the wonderfulness and the despair. Rachel called it “a really satisfying read”, Suzy rated it highly, calling it “spellbinding”.
—–
Published 2011
Atlantic Books
288 pages
In 1940s France a black cabaret singer disappears. Fifty years on, one of his bandmates, Sid, embarks on a journey to discover Hieronymous’s fate.
✔ “Hiero is African German and a member of a jazz band in pre-war Berlin. The Nazis ban their music, and he and his two band mates flee to Paris in 1939 at the outbreak of war. Though in hiding they wander the abandoned streets as a way to pass the time. One night Hiero is arrested and taken to a concentration camp.
The book is narrated by one of the other bandmates, Sid in 1992. His memories of Hiero, of war time and life right up to the book’s present are detailed. His thoughts are pertinent because, as an old man, he discovers an urge to learn of Hiero’s fate. He enlists help from the the third band mate Chip and together they undertake a quest for the truth.
The musings of Sid’s life are ruled by musicality. The effect of the war on music, and freedom of expression and the Nazi’s desire to stamp out anything they regarded as degenerate.
It ain’t fair. Gifts is divided so damn unevenly. Like God just left his damn sack of talents in a ditch somewhere and said, “Go help yourselves, ladies and gents.Them’s that get there first can help themselves to the biggest ones. In every other walk of life, a jack can work to get what he want. but ain’t no amount of toil going get you a lick more talent than you born with. Geniuses ain’t made, brother, they just is. and I just was not.
Going into the book it’s easy to think of this as simply a war story, but it’s much more than that – be prepared for it to take you places you weren’t expecting. Yes the story begins with Hitler’s Germany and no it doesn’t offer detailed passages on the persecution of the Jews, but it does look at another way in which the Nazis harmed people and humanity, via their music. It’s also about failed relationships, redemption and the right to tell your own story. It is told in an authentic slang vernacular, however we found the language sometimes slowed down or stilted our reading pace.
—–
Published 2011
Serpent’s Tail
352 pages
READ FOR BOOKCLUB
Chosen by Suzy
Treasure Island features Jim Hawkins, an inn-keeper’s son, who becomes interested in a guest’s chest. Billy Bones is protective of the chest and concerned about the potential appearance of a one-legged man. When Billy mysteriously dies, Jim looks through the chest and discovers a treasure map. Jim gains access to the ship Hispaniola and along with Long John Silver and other colourful cast members they head off in search of the treasure, marked with an X on the map.
The book is narrated by Jim, who is a naive narrator: young, impressionable and though not stupid, he is being exposed to many new experiences and thus relays events and twists in the plot and character development in a lively and dramatic but simple manner.
Stevenson invented this world of pirates, maps, buried treasure, eye-patches and one-legged sailors after drawing a map for his stepson. It became elaborately filled with harbours and land formations, creating the perfect course for a treasure hunt, hence the setting being highly detailed in the book. Stevenson’s family had a history in lighthouse design and the author’s understanding of nautical elements and seafaring activities adds to the believability of the story.
Amongst the adventure filled pages are thematic constructions of good vs evil, and a coming-of-age story that sees our young protagonist mature after being involved in skirmishes and who must make plans to not only find the treasure but stay alive.
It was Silver’s voice, and before I had heard a dozen words, I would not have shown myself for all the world. I lay there, trembling and listening, in the extreme of fear and curiosity, for, in those dozen words, I understood that the lives of all the honest men aboard depended on me alone.
Despite this being a classic and the origin of the now widely used pirate stereotype, none of the freerangers had read Treasure Island before. Of course the story is known, and there have many iterations of it over the years but none of us had ventured back to the place where it all began. It was a huge adventure to read the book with young Jim Hawkins the perfect guide to bravely lead us through the perilous lands.
—–
Published 1883
Cassell & Co
316 pages
Recent Comments