The Free-Range Bookclub
Bookclubbers without boundaries in Nelson, New Zealand
This Mournable Body – Tsitsi Dangarembga
READ FOR BOOKERTHON”
A disillusioned native woman re-establishes her life in post-colonial Zimbabwe.
✚ “Finding out about halfway through This Mournable Body that it was the third book in a trilogy was useful to know as there was certainly the feeling that the Zimbabwean war that was often referred to was the ‘real’ story, whereas we were learning more about its aftermath and the impact on the character Tambudzai and her family. I’m thinking maybe the first two books dealt with the war and its politics more comprehensively?”
“The book wasn’t without violence and there was a constant underlying feeling of menace that hovered on the edges of the story and threatened to spill over in many ways. Tambudzai spent most of the time on edge and was constantly negotiating with herself whether she would deal with issues in flight or fight mode.
“I genuinely felt for Tambudzai and her experiences and its clear this book can standalone with no need to read the preceding two books, however I think I would have got more out of it had I had a bit more background.” – Suzy
Your umbilical cord is buried on the homestead; in the empty space that widens within at every step, you feel it tugging.
✚ “This Mournable Body is the story of Tambudzai, a woman who has lived through the long and devastating guerrilla war between the white Rhodesian army and native black nationalists. Now the 1990s, the nation has gained independence and is trying to rebuild itself, as is Tambudzai (Tambu).
“However, it is clear Tambu is in the midst of a personal or post-traumatic crisis as she jumps from one experience to the other, making observations of her new fragmented environment and attempting to find purpose, but hurting people and herself along the way.
“The book is jarring but hopeful and its anti-hero Tambu is an emotive parallel for a country with a new and promising future. Zimbabwe, and Tambu, must look for opportunities in its new-look reality and acknowledge that the past cannot be erased, but must be respected as something that will continue to shape them.
“Told in second person, as though Tambu is trying to distance herself from her past, ensures we, the readers, are intimately invested. The episodic wanderings of Tambu can seem a little disruptive to the flow of the plot but if you remember her experiences are also notations of a post-colonial era’s history, the plot is more meaningful.” – Rachel
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Published 2018
Graywolf
284 pages
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