READ FOR BOOKERTHON
An astrobiologist helps his neuro-divergent son understand our beautiful, imperilled planet
⫸ “Theo Byrne is an astrobiologist looking for life in space while also caring for his behaviourally challenged son, Robin. Theo’s wife, an environmental activist, has died in a car crash and as means to connect, Robin is intensely focused on the deterioration of the natural world.
“He is prone to violent rages when frustrated or challenged, and authorities from his school are concerned about Theo’s parenting abilities. Until Robin is accepted into an experimental programme focused on enhancing his emotional control as well as re-connecting him with his dead mother.
“The book provides commentary on the political, scientific, environmental and social state of the world within the private universe of a close father-son bond.”
Get out, my son said. You’re making that up. And we were, we Earthlings. Making it up as we were went along, then proving it for all the universe to see.
⫸ “Powers has a common theme of environmental and political care in his novels, and I appreciate that he never makes his points preachy or suffocating. In this instance he has a focused narrative about Theo and his mentally troubled son Robin whom he is trying to raise alone. The boy’s obsession with the world and Theo’s obligation to be his teacher, provides an opportunity for Powers to educate us on his thoughts of what’s wrong with the society and how to fix it. Yet at the same time the relationship between the two protagonists is beautifully detailed keeping the reader hooked.
“I especially liked the science fiction/dystopian touch with the machine that can connect people’s thoughts with those already passed. A real mix of topics and styles both real and not brought together in an enlightening read.” – Rachel
⫸ “In hindsight, the conclusion of this book was entirely predictable, but at the time it hit me like a tonne of bricks. I don’t have the eloquence to convey even a sliver of the grace Richard Powers has as an author. His commentary on the degradation of the environment interwoven with the helplessness and terror felt by the character of Robin left me feeling depleted. There was no glimmer of hope or redemption, and nor should there be.” – Suzy
WW Norton Co
READ FOR BOOKERTHON
The lives and deaths of a white South African family, and a promise made to their black housekeeper
⫸ “When Rachel, a 40-year-old white South African dies in 1986, her country is transitioning out of apartheid. The subsequent decline of the family after Rachel’s death parallels the history of South Africa, a common feature of Galgut’s writing.
“The eponymous promise is one made to the family’s black maid, that she shall be given the deeds to the house she occupies. Yet it goes unfulfilled and the karma of that seems to be the death of one family member per chapter.”
Trouble in all the townships, it’s being muttered about everywhere, even with a State of Emergency hanging over the land like a dark cloud and the news under censorship and the mood all over a bit of electrified, a bit alarmed, there is no silencing the voices that talk away under everything, like the think crackle of static.
⫸ “The life of each family member is highly detailed in The Promise, drawing you in, before culminating in their untimely death. And every family member’s life is a page turner, enhanced by the plot line of the younger sister Amor who is attempting to right the wrong of the unfulfilled promise.
“It’s a somber book but beautiful and captivating and poignant at the same time. I was heavily invested in the lives of the family members and felt like I learned I little bit more about South Africa’s history too. I would recommend this book to everyone, very accessible as well as well-constructed and -presented.” – Rachel
⫸ “I loved this book and as a reader it felt a bit like I was living through history alongside the characters. I found the ongoing demise of Swart family grim but satisfying. There was nothing redemptive in any family member’s actions, with even the ‘good’ character’s behaviour left lacking. I’m four books in with my Booker reading and this is the standout for me so far.” – Suzy
Chatto & Windus
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A novelised account of the real events of the a Somali man in Cardiff prison.
⫸ “Set in 1952 in Cardiff, The Fortune Men details the real events surrounding the wrongful imprisonment of Mahmood Mattan, a Somali seaman. False witness accounts and racist policing led to him being found guilty of the murder of a local shopkeeper. In prison his hope for justice dwindles as he fights conspiracy and prejudice in all corners.
You cannot look like prey here. You cannot show weakness or your days are numbered, like those of the Somali drunk the police beat to death last year. Mahmood had learnt to do the black man’s walk early on in Cardiff.
⫸ “This was a shocking story and a shameful part of Welsh history. Throughout the novel I thought – yes this is truly awful, but surely things were never that bad. I was in a state of disbelief by the end of it and nothing that was done in the wake of these events can ever make things right.
“I was going to say for a highly unusual piece of Welsh history this book is recommended, but I do have to wonder just how unusual it was.” – Suzy
⫸ “It took me a little bit to get into this book as we jumped between many different characters to begin with. But I soon came to appreciate the author’s meticulous detailing of both prime and sundry characters, including the murdered woman, the grieving family and the accused and his family. Their voices are authentic and the settings are vivid.
“Mohamed has chronicled an important part of both Welsh and Somali history. What results here ends up in the history books and Mohamed has dealt with the entire situation with compassion.” – Rachel
READ FOR BOOKERTHON
⫸ “I am in NO position to be saying the things I’m about to say as, well, it’s not like I have had a book shortlisted for the Booker Prize: I really like books that have interwoven fiction and non-fiction – for example last year’s shortlisted The Shadow King looked at the Italian invasion of Ethiopia.
“I felt like A Passage North was a half-hearted attempt at this. While the base storyline held my interest I felt like the author’s interspersing of factual information was done in a strange way. Often there were pages and pages of information on the history of Sri Lanka that was just the main character recalling a book he had read or a documentary he had watched. It felt like a lazy tool to educate the reader on information that, while undoubtedly important, would have been more impactful if it was blended more with the characters that I was emotionally invested in as a reader.
“Maybe I am not appreciating the creativity? What right do I have to demand important information to be fed to me in a way that I prefer?
“Overall I felt like these factual asides, while interesting and informative, were a distraction from the main storyline rather than nicely flowing alongside it. In saying that I was very invested in the storyline of the main character, his experiences and relationships.” – Suzy
⫸ “A Passage North is set in Sri Lanka at the conclusion of its long civil war. Tamil Krishan is back from studying overseas and is contacted by his former girlfriend, an activist called Anjum, whom he still loves. The book is a study of not only Tamil and Anjum’s relationship but of Sri Lanka’s war-torn past and Tamil’s experience of it and in it.
“While I appreciate the author’s investment into recording an important part of history, I found the prose too over-written for my liking. The protagonist tells his stories with such detail and passion and some of those moments are poignant and affecting, but others are not, like when two men on a train simply look at each other for paragraphs on end, and every assessment of the look is discussed, and the ways in which the look could be interpreted are drawn out. Sometimes this kind of intensity is profound and sometimes it’s distracting. Tamil’s narration was very observational too so while the plot was moving along I felt a little removed from it.
“Arudpragasam is clearly a talented writer. He has produced meticulous characters and provided them rich and layered experiences. I can see why the book was an attractive pick for the Booker judges as the author has pushed out the traditional scope of a novel, but the style of prose means it pushed me out too.” – Rachel
READ FOR BOOKERTHON
A woman with new online prominence grapples with the reality of the cyber world and real life
⫸ “The internet, referred to as ‘the portal’, is given a life of itself in this novel, a place where the unnamed protagonist is constantly experiencing huge fluctuations in emotional response. In the opening pages she laughs at bodies being flung from a carnival ride at the Ohio State Fair …
“Such is the state of play in this no-genre book, where a woman is made internet famous for tweeting ‘can dogs be twins?’ The content and her reactions are shallow and superficial, conveyed in unlinked fragments, and as such a realistic portrayal of modern screen time and the often inane and pointless content we get sucked in by.
“But there is also a lot of hidden social commentary amongst the online space junk: climate change, economic woes, the rise of an unnamed but laughable dictator all cause her to delve deeper and face being consumed by the overwhelming onslaught of imagery and texts. But isn’t this also a true to life example of how we now gather our information and knowledge? Wading, drowning, surfacing, siphoning off the sand and hoping we spot the gold.
“Amongst the trials and travels accorded by the woman’s internet fame, is the story of her sister giving birth. But when there is bad news about the health of the baby, the women’s reality and the absurdity of the portal collide causing her to confront her thoughts and fears about the real and fake worlds which she exists in.
“This book adeptly portrays so many elements of the modern world, it is a snapshot of our times and an interesting form of the novel. I loved it.” – Rachel
Previously these communities were imposed on us, along with their mental weather. Now we chose them—or believed that we did. A person might join a site to look at pictures of her nephew and five years later believe in a flat earth.
⫸ “For me as a reader, what started as utter confusion soon gave way to an appreciation of the deep sense of the love that the author so convincingly conveyed for her niece. The juxtaposition of something so visceral with the empty and vacuous social media experience felt a bit forced at times but was ultimately effective.
“I’m unsure if it was the author’s goal to get readers to reflect on their own social media usage but if so it was certainly successful with me.” – Suzy
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Chosen by Jodie
A fictional treatment of the early life of Friedrich von Hardenberg who, under the pseudonym Novalis, later became a practitioner of German Romanticism
⫸ “Penelope’s Fitzgerald’s last novel, written in 1997, details the early life of the German romantic poet Novalis and his love for 12-year-old Sophie von Kuhn. Set in provincial Saxony in the 1790s, the title of the book comes directly from Novalis’ own unfinished novel: Heinrich von Oftterdingen, in which the blue flower is something unattainable and unreachable.
“Thought of by some as a ‘writer’s book’ it acts as an introduction to the Romantic era combining artful intelligence, political upheaval, intense friendships, innocence as well moral ambiguity.”
Sink, he told his hopes, with a kind of satisfaction, sink like a corpse dropped into the river. I am rejected, not for being unwelcome, not even for being ridiculous, but for being nothing.
⫸ “The Blue Flower is a work of historical fiction and its emphasis seems to be largely focused around recounting historical facts. And yes, Fitzgerald does fit in a lot of what happened in Novalis’ early life as a Romantic poet into The Blue Flower. However, this focus on fact came across as too stilted and matter of fact for me. Fitzgerald’s use of traditional language and German phrasing made it a hard novel to become attached too. The choice to use Fritz’s deep love for 12-year-old Sophie as a main thread of the novel was a little disturbing as the author invested so much effort into making it sound beautiful and natural, which clearly it is not.” – Jodie
⫸ “When reading a fictional recount of a genius there is a certain level of intellect and creativity expected. I’m pretty sure The Blue Flower has all the right elements to convey the life of this Romantic writer. However as I am not schooled in either Romanticism, Novalis or 1700s Germany, I imagine I missed a lot of the relevance. I did enjoy sections of the plot and the characters’ stories but did, as always, struggle to get engaged with a work of historical fiction.” – Rachel
⫸ “I felt uneasy about a few of the comments made by the characters in this book, eg something along the lines of how do you get your housework done with no females in the home, but it was the main character’s obsession with a 12-year-old girl that finished me off. I couldn’t accept that this was a reflection of the times – authors can write about anything they want and Penelope Fitzgerald is clearly a capable writer. I feel like it was an unforgivable focus for her to have.” – Suzy
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Chosen by Rachel
An investigation of an elderly woman’s mental wanderings after finding a note referring to a murder.
⫸ “Vesta Gul is an expected Moshfegh character: a female loner with convoluted, dangerous thoughts. She is 72, living alone in the woods after the death of her husband, with only her dog Charlie for company.
“After discovering a note in the woods that reads ‘Her name was Magda. No body will ever know who killed her. It wasn’t me. Here is her dead body’, Vesta starts a crusade to discover the truth about Magda. However, her over imagination gets away with her to the point it is difficult to work out what is real and what is imagined.
“But this is fiction, so everything is imagined, and Magda is as much a character as Vesta. As such, it becomes a kind of post-modern scrutiny of the processes of fiction writing, with a power play of narrative authority between Otessa Moshfegh writing Vesta Gul, and Vesta Gul writing Magda.”
⫸ “A fabulous study of loneliness and of the impact of living with an oppressor on the psyche. Vesta slowly reveals the details of her suffocating marriage at the same time as she imagines the life of the unknown Magda. The two are clearly linked. Her obsession with the murder allows Vesta the same freedoms and clarity as she has given her imagined Magda and so her unreliability deepens. Death In Her Hands is a dark, mysterious novel which I found compelling as a character study on madness. I could not predict the outcome and had to invest time and effort into working out what was real and what was imagined. I really enjoyed it.” – Rachel
⫸ “Reading this book over a relatively short period of time I almost felt like I was experiencing the same uncertainty and confusion as the main character Vesta. As we moved into her spiralling thoughts I felt increasingly uncomfortable – I was less concerned with ‘solving the mystery’ and more worried for her wellbeing. Overall it was a very compelling read. Side note – this is the second fictional dog called Charlie I have come across where things have not gone well for the owner (I’m looking at you A Star is Born).” – Suzy
⫸ “The protagonist started off as someone who seemed sane and quite interesting, though somewhat neurotic, and her gradual slide downhill into incoherence was convincingly portrayed. It was often difficult to interpret what was real and what wasn’t and this added to the intrigue. Revelations about Vesta’s marriage became darker and darker as we moved through the book. It was almost as if she was slowly choosing to open up to the reader, revealing more intimate details as the story unfolded. The novel had a great ending that was sad but strangely satisfying.” – Jo
⫸ “I appreciated the concept of the novel which is essentially a story within a story and found that quite interesting. The second half of the story became more thrilling as Vesta’s mental health began to decline and her confused state led us into the sometimes dark, sometimes pitiful meanderings of her mind. A clever and well written book but to be honest it wasn’t really for me.” – Jodie
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Chosen by Jodie
A successful young woman’s life spirals into a depressive breakdown.
⫸ “Esther Greenwood’s story is remarkably similar to Sylvia Plath’s own life and struggles and is considered autobiographical fiction, despite being written under a pseudonym.
“Esther is an editor with mental illness who soon succumbs to being institutionally committed, fighting off her suicidal tendencies. Despite its grim plot, the book is considered a telling of truth and one which has helped women find acceptance in themselves and each other.
“The Bell Jar was published 30 years ago when such acknowledgement of mental illness was not forthcoming. Perhaps this makes Plath a leader in the frank discussion of this topic. Certainly the content of her book only becomes more and more relevant as times goes on.
Because wherever I sat—on the deck of a ship or at a street café in Paris or Bangkok—I would be sitting under the same glass bell jar, stewing in my own sour air.
⫸ “Weeks after reading The Bell Jar I was still affected by it, and found myself thinking about Esther like she was someone I knew. It’s a very power novel – a heartbreaking insight to the suffering that inflicts people with depression. Sadly the novel is semi autobiographical, and I was haunted throughout the novel knowing that Sylvia herself battled with the same struggles.” –Jodie
⫸ “The Bell Jar is less shocking the second time around but there is one image that has stayed with me, and that was the protagonist squashed into a space under the floor of the house after taking loads of pills. It is utterly horrible.
“I think Sylvia has described or explained depression so convincingly and in a captivating way that this dark story is not hard to read but, surprisingly, a joy. How on earth did she make such a depressing story not depressing? The dark humour was clever, perhaps that helped.” – Jo
⫸ “This was my second read of The Bell Jar and my vague recollection of it being mostly a bit of black humour akin to Catcher in the Rye turned out to be very wrong.
“While there were the occasional bleakly funny moments it was the brutal account of Esther’s descent into mental illness that was central to the book and made for a distressing read. Knowing the author’s history made it even harder to bear.
“I often think of Esther’s beautiful words towards the end of the book: “I took a deep breath and listened to the old brag of my heart. I am, I am, I am”. I will never not feel sad about Sylvia Plath and The Bell Jar.” – Suzy
⫸ “Investing one’s time into 300 pages of a break down is not usually considered fun. However, despite the misery and sadness of The Bell Jar there is an abject realism to the story that makes it not only accepting but strangely enjoyable.
“Esther is such a real character that her loves and lives and thoughts formed in my mind like a truth and I felt her pains, her joys and every tiny step she took both forward and backward in her mental health journey. There are very few authors who can write so succinctly yet so convincingly in a way that breaks your heart. Well mine anyway. Stunningly beautiful.” – Rachel
Published in 1953