The Free-Range Bookclub
Bookclubbers without boundaries in Nelson, New Zealand
As The Earth Turns Silver – Alison Wong
READ FOR BOOKCLUB
Chosen by Jo
The story and struggles of settler families in early 20th-Century New Zealand. Yung and Shun are immigrants from China. They become greengrocers in Wellington and know they must adapt to their adopted home. Englishwoman Katherine McKechnie struggles to raise her rebellious son and daughter following the death of her husband. Ultimately this award winner is a love story that breaks all the societal norms of the time.
He came from behind and held her in his arms, told her to look again at the earth and sky and water. Could she see how the world turned silver? People died, he told her, because they were afraid. They did not go out at night on dangerous water. They did not see the earth as it turned overnight to silver.
◉ “As The Earth Turns Silver has all the hallmarks of a classic Kiwi novel, yet it focuses on a story few have told, that of the struggles of migrant Asian families. The juxtaposition of their historical traditions versus a new Western life played out compellingly. As such I was entertained but also educated about another aspect of our country’s history. The mellifluous writing style ensures a measured reading pace and the storyline doesn’t disappoint.” – Rachel
◉ “This is a tragic love story which explores themes of racism and oppression. A refreshing change for a NZ novel to delve into early Chinese life and culture and I had no idea that Chinese immigrants were thought of so poorly and treated in such an appalling way by the British. Although Katherine suffers oppression, Chinese women were subject to miserable existences that made Katherine’s situation appear much more privileged. Beautifully written with wonderful characters both good and detestable. I loved it.” – Jo
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Published 2009
Penguin Books
288 pages
The Childhood Of Jesus – J M Coetzee
READ FOR TEN YEAR BOOKCLUB REUNION
Chosen by Rachel
A haunting and surprising novel about childhood and destiny in which a boy and a man cross vast oceans to arrive in a new land. They are each assigned a name and an age, taught Spanish and then released into the city of Novilla where life is simple and the boy longs for a mother.
He stops where he is on the busy sidewalk. Inés and the boy stop too, and stare at him in puzzlement. ‘Think of it in this way,’ he says. ‘We are tramping through the desert, you and Inés and I. You tell me you are thirsty and I offer you a glass of water. Instead of drinking the water you pour it out in the sand. You say you thirst for answers: ‘Why this? Why that?’ I, because I am patient, because I love you, offer you an answer each time, which you pour away in the sand. Today, at last, I am tired of offering you water. ‘Why is staying alive important?’ If life does not seem important to you, so be it.
◉ “I first read this book soon after its release when Suzy brought it for me as a birthday present. I was so mesmorised, captivated, moved and wowed by the book’s simplicity but also its depth that I needed desperately to talk to someone about it. Three years later that opportunity came about in the form of ten year bookclub reunion! The second reading allowed me to pick up on the biblical significance further and ponder the reality of these characters. It is clear Coetzee believes in the life of his characters, so this was a great opportunity to discuss their possibilities on a literal and metaphorical level. Then Sophia shared with us her understanding of religion in literature and that took this book to a whole new level!” – Rachel
◉ “There are two options with this novel. Read it as it literally is (like I did!), a story of a pretty annoying kid and the deluded adults around him. It was strangely captivating and I completely lost myself in the other-world feel of the novel. It felt to me a bit like Kazuo Ishiguro’s The Buried Giant mixed with George Orwell’s 1984. The second option is to delver deeper into the story (like everyone else did!), search for the incredibly layered meaning – revealed expertly by Rach at the wonderful Volume bookstore – and enjoy the author’s intelligent plot and metaphors. Either way it’s a great read, and I can’t wait to get into the sequel The School Days of Jesus which I will undoubtedly read in the same way I read the first one!” – Suzy
◉ “I was curious about The Childhood of Jesus, and was rightfully intrigued by the title. From the beginning, the book took me on a trip I wasn’t expecting, in a reality I didn’t recognise. It felt surreal. And whilst holding the book in one hand I scratched my head with the other, in wonderment at what was really being said. One thing I did take away with some certainty was that Coetzee was himself exploring ideas around Jesus the historical figure, as well as the philosophies underpinning Christianity, faith, life, existence itself, virtue and sin, innocence and guilt, childhood and what it might mean to be “grown up” and responsible as a parent or guardian. He asked a lot of big questions, without answering them. And I was fascinated.” – Sonya
◉ “There is no doubt in my mind that The Childhood of Jesus is a wonderful and heretical book. Growing up fundamentalist Christian I was taught that one of the ways we would recognise the imminent return of Christ was when retellings and alterations to the bible emerged. (http://www.kingjamesbibleonline.org/Revelation-22-18/). The Childhood of Jesus uses the symbolism of a Messianic message, and is redolent with allusions to the gospels, but tells a new story in a place parallel to this world. The novel has the pared back clarity of a fable set in an ancient world. I found this both chilling and thrilling. I can’t quite decide if The Childhood of Jesus is a harbinger of the end of the world, or a sign that we are out-growing Christianity. Either way things do not bode well for Coetzee’s Jesus should he be allowed to grow up.” – Sophia
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Published 2013
Jonathan Cape
288 pages
Day 2 bookclub was held at Volume, on Church St in Nelson – a fabulous independent book store – THANKS Thomas and Stella 🙂
The Bell Jar – Sylvia Plath
READ FOR TEN YEAR BOOKCLUB REUNION
Chosen by Suzy
Plath’s shocking, realistic, and intensely emotional novel about Esther Greenwood, a brilliant, beautiful, talented, and successful woman who is falling into the grip of insanity.
… because wherever I sat—on the deck of a ship or at a street café in Paris or Bangkok—I would be sitting under the same glass bell jar, stewing in my own sour air.
◉ “I came to this novel fairly fresh, with very little prior knowledge of the author or plot. Obviously I’ve been hiding under a rock! I read the novel not knowing the events of Sylvia Plath’s short and tragic life so the research was a real revelation for me. The themes of sexuality, repression, family ties and mental health are as relevant today as they were back then. A completely devastating read at times, but for me it was ultimately an uplifting story which I will be recommending to my daughter in a few year’s time. My favourite lines in the novel: “I took a deep breath and listened to the old brag of my heart. I am, I am, I am.” – Suzy
◉ “I read this book when I was about 13 or 14 and took it as a token and a right of passage. Upon re-reading it as a 30-something year old mother my sympathies and feelings have shifted. The book now is more devastating and less exhilarating. RIP Sylvia Plath.” – Sophia
◉ “What stood out to me in this book was the oppressive society in which Ester Greenwood (and Sylvia Plath) lived. The expectation that Ester would confirm to societal “norms” was poles apart from her desire to be her own woman and in the 60s, as we all know, this opposition was a view held by many women. It was desperately sad what Ester (and Plath) went through in regards to their growing depression, but what great bravery to put this to paper at this time in history. A life altering book that reminds me what our forebears challenged in order to create change.” – Rachel
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Published 1963
Heinemann
244 pages
A selfie from evening 1 of bookclub reunion:
Back row L-R: Sonya, Nicole, Suzy, Sophia
Front row L-R: Rachel, Jo, Nadine
Absent: Becks, Ros
2017 – Hot Genres
Genres are in accepted abundance these days. Gone are the days when crime, romance and fantasy were about all the classifications local librarians were willing to use. Today, not only are books cryptically catalogued, but classics are gaining new reclassifications too, as their historical significance becomes more apparent.
Existentialism they are branded, magic realism, post modern or meta fiction. A marketing technique or a contemporary realisation that genres, like personalities, are open to interpretation? Every where you look these days, personality types are springing up, perhaps as a way to explain our nuances, or to better understand ourselves. So should a book be any different? Can a slightly modified genre make the novel more genius or is it the same old thing, different wrapping?
At The FreeRange Bookclub we thrive on personality and genre types. And have done so for ten years. Yes! Ten years our nerdy friendships have converged. To celebrate this milestone, all past and present bookclubbers are coming back to where it all started in sunny Nelson for a bookclub reunion. A collection of diverse and delightful personalities required a couple of equally diverse and intriguing books to read and discuss – and we think we’ve found them in J M Coetzee’s The Childhood of Jesus and Sylvia Plath’s The Bell Jar.
The rest of the year will see us take on a range of unique genres to expand our reading, so it seems only fitting that the first two books of the year are ones which are difficult to compartmentlise in a genre category. Do they cover many genres? Or have the authors created their own? Check back in to hear our thoughts.
2017 Schedule
The Bell Jar – Sylvia Plath
The Childhood of Jesus – J M Coetzee
As The Earth Turns Silver – Alison Wong
Invisible Cities – Italo Calvino
Into The River – Ted Dawe
The Handmaid’s Tale – Margaret Atwood
Blindsight – Maurice Gee
East Of The West – Miroslav Penkov
Soul Print – Megan Miranda
Kafka On The Shore – Haruki Murakami
The Hut Builder – Laurence Fearnley
2016 – End Of Year Thoughts
2016 was New Zealand lit heavy for The FreeRange Bookclub. Not only did Kiwi novels litter the schedule, the NZ Book Awards re-emerged, inciting fresh excitement amongst book lovers about our home-grown talent.
With our immersion into New Zealand books, we discovered there were stylistic similarities and recurring themes in what a local author will produce. The laid-back, retelling of childhood memories is prevalent, invoking the reader’s own reminiscence and bonding with the content – a personalised story rather than a plot heavy, drama filled book like an overseas writer may produce.
At the other extreme, dark, disturbing tales seem to be a part of our literary make up too. Yet, we surmised, they are done with a level of restraint, to ensure intrigue and a level of ickyness are present, while the truly disturbing material is hinted at or camoflagued so as not to be raw and horrifying.
So at Nahm Restaurant, overlooking the Nelson harbour, we mused over our favourite moments of the year. There were some similarities among our favourite moments. For example, the Scarecrow’s opening line was deemed the most memorable sentence: “The same week our fowls were stolen, Daphne Moran had her throat cut.” Elizabeth Knox’s faceless monster in Wake was considered the most thought-provoking metaphor, and the ending in Genesis the most shocking moment. Here’s a few more of our top picks:
Book of the year:
Sonya: Wake
Rachel: The Scarecrow
Becks: The Scarecrow
Jo: The Scarecrow
Runner up:
Sonya: A Story of A New Zealand River
Rachel: A Story of A New Zealand River
Becks: A Story of A New Zealand River
Jo: Genesis
Best couple/romance:
Sonya: Alice & Bruce from A Story of A New Zealander River
Rachel: Charmaine & Stan from The Heart Goes Last
Becks: Alice & Bruce from A Story of A New Zealander River
Jo: Azoro’s mother and father in The Famished Road
Most memorable setting/location:
Sonya: The river in A Story Of A New Zealand River
Rachel: The prison in The Heart Goes Last
Becks: The river in A Story Of A New Zealand River
Jo: Our home region of Tasman in Wake
Book Book – Fiona Farrell
READ FOR BOOKCLUB
Chosen by Sonya
As war is waged in the Middle East, a woman in New Zealand has her nose in a book – part fiction, part autobiography, Farrell documents her life’s history with reading
➤ “I really enjoyed Fiona Farrell’s writing style. So clever, rhythmic yet readable. The anecdotes within her memoir were beautifully crafted. You tell that the words were those of a literary pro. Yet, overall I was vaguely bored. I suppose in simple terms, I like a good made-up story, with a great plot and larger than life characters. This was not that kind of story. Although I didn’t dislike it, I had to make myself read it.” – Sonya
➤ “Book Book was a concept that appealed to me, a self-confessed book nerd: a life (so far) explained through books; and a New Zealand life which might rekindle my own childhood memories, and mention books and writers with whom I’m familiar.*swoon*. And ultimately the book did deliver all that. (Even if an early mention of Farrell’s hometown of Oamaru did not turn into a Frame commentary until page 293.) However, while I did enjoy the individual moments, ultimately the book ended up as a collection of interesting stories without any of the usual climax associated with fiction. A nice read, but not exciting.” – Rachel
➤ “Book Book is a nice, easy-to-read book with lovely nostalgic New Zealand references peppered throughout. There are frequent references with excerpts to various books and authors and I struggled at times to see the relevance of these – perhaps a failing on my part. Although pleasant to read there weren’t any great highs or lows and I was left feeling underwhelmed at the end. A tad ho hum for me I’m afraid.” – Jo
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Published 2004
Vintage Books
364 pages
The Famished Road – Ben Okri
READ FOR BOOKCLUB
Chosen by Becks
In this 1991 Booker winner, the narrator, Azaro, is a spirit child struggling between the tensions of the living and the temptations of the carefree spirit kingdom.
We must look at ourselves differently. We are freer than we think. We haven’t begun to live yet. The man whose light has come on in his head, in his dormant sun, can never be kept down or defeated. We can redream this world and make the dream real. Human beings are gods hidden from ourselves.
➤ “Set in an unnamed city in Nigeria, this novel employs a unique narrative style incorporating the spirit world with the ‘real’ world, which some classify as magical realism. This book exploits the belief in the co-existence of the spiritual and material worlds that is a defining aspect of traditional African life. An enchanting book at first but after a while the fantasy scenes began to repeat themselves. Very quickly things stopped feeling strange or astonishing and I felt like I was going over the same ground again and again. This is a book in which hardly anything occurs.
“Described as having ‘dreamlike’ prose, for me it was a nightmare that tested my patience. Magical realism is perhaps not the genre for me!” – Becks
➤ “The Famished Road is an enthralling title and one which not only draws the reader from the outset but sums up the content well, especially the themes of travelling and hunger. The main character Azaro is a spirit child not only travelling between reality and the allure of the spirit world but also life as a son in an improvised community; while characters hunger for many things, food, power, money, independence.
“The plot is original and particularly interesting once the father and son’s relationship strengthens. However, its robustness is often drowned out by Azuro’s many visions and interactions with spirits. While they do support the plot they distracted me with their length and complexity. I am a fan of magical realism but this was a step further than the magical realism I am used to.” – Rachel
➤ “The premise of the spirit child in The Famished Road drew me right in at the start and I was looking forward to reading this book, however the long drawn out and often incomprehensible dreams or spirit journeys became a bit tedious. The Famished Road is a book full of misery that somehow failed to make me sad as the characters situation all seemed a bit distant with no real emotional connection for me. Some of the characters were well defined and I particularly liked the father and Madame Koto. Not a book I would recommend to a friend.” – Jo
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Published 1991
Anchor Books
512 pages
2016 Bookerthon
In a year in which many established authors and their highly anticipated books (McEwan, Coetzee, Barnes, Tremain to name a few) didn’t make the shortlist, nor the longlist some of them, we were expecting big things from the 2016 Man Booker. We hadn’t even heard of some of the authors but thought we must be in for a treat for them to oust some of our favourite writers.
However, prior to coming together we had both stated we felt a little underwhelmed by the shortlisters we had read so far. Perhaps our expectations were too high? Perhaps our views were stymied about what a Man Booker shortlister should be?
To figure it all out, we met in St Arnaud, the perfect hideaway for completion of our reading, conversation and blogging.
As we read more what we saw emerge was a body of work that was certainly not what we expected, but one which was pushing boundaries on the traditional form of the novel. A short story collection that is really a novel, a novel purporting to be true crime, a significantly historical novel presented in a contemporary format, a heavily satirical novel which the author says is certainly not satire, a dense character study that is almost plotless – this is the generation of anything goes and it is reflected in these, the best books of the year.
The contrasting novels from several different genres are outstanding examples of what can happen with a free-range mind! Yet amongst the risk-taking was a consensus for clear story-telling and message provision. There are few limitations on who could read and enjoy these books.
Suzy sums it up, saying: “This is easily my favourite Bookerthon in years. 2016 has been a wonderfully plot-heavy collection of books that have all challenged and moved me in ways that has had me completely in awe of the authors’ talents. I have read books I wouldn’t normally be drawn to, but have absolutely loved. From 1860s Scottish highlands to 1980s China, not only have I been entertained but I also feel educated about aspects of society that I was otherwise ignorant about.”
So, with the advantage of hindsight, discussion and all the reading completed, here are our final thoughts.
Hot Milk was the most readable; All That Man Is provided a captivating take on the human psyche, in a unique novel/short story/novel kind of way.
The Sellout was demanding to read but that’s what made it complex and one-of-a-kind. If the author insists it’s not satire, has he created a whole new genre?
While at first it seemed the author of His Bloody Project was treating the reader like a fool, it turns out he was treating us with the utmost respect, and Eileen was a roller coaster ride of emotion and wonderment.
However, the shortlister that nudged ahead of the others for us both was the historically significant and meticulously researched Do Not Say We Have Nothing by Madeleine Thien. It was a novel designed to shock and move the reader with characters who live beyond the page. That Chinese history, music composition, complex mathematics, literature, love, loss and friendship can be written about in a universal and contemporary way, so that nobody is excluded from enjoying it, is a feat. And therefore it becomes our pick for the 2016 Man Booker Prize.
Rachel’s favourites 1st-6th
Do Not Say We Have Nothing
Eileen
His Bloody Project
All That Man Is
Hot Milk
The Sellout
Suzy’s favourites 1st-6th
Do Not Say We Have Nothing
Eileen
His Bloody Project
All That Man Is
The Sellout
Hot Milk
His Bloody Project – Graeme Macrae Burnett
READ FOR BOOKERTHON
Roderick Macrae admits to a triple murder in a remote Scottish community in 1869. A memoir written by Macrae makes it clear he is guilty but it’s up to the police and courts to try and uncover his motive.
A memoir written by the accused makes it clear that he is guilty, but it falls to the country’s finest legal and psychiatric minds to uncover what drove him to commit such merciless acts of violence.
➤ “So, a crime story is shortlisted for the Man Booker. A crime story disguised as true crime no less.
“Burnet purports to have discovered a document penned by a distant forefather revealing all about why he brutally murdered three people in his crofting community back in 1869. The author says he did little more to the document than add punctuation and paragraphs. Hmmmm. At the outset this did mar the reading experience for me but who am I to discredit a writing style that, really, is akin to the reality TV genre of this generation.
“Despite my initial reservations it didn’t take too long to get lost in the plot, especially once the court transcripts are revealed which make the murderer’s musings more relevant. The idea of the varying degrees of madness is thought provoking and relevant in any historical context, and I did enjoy the opportunity to play detective rather than have everything spelled out. This is a book that has grown on me the more time passes and I certainly think this crime (literary crime?) novel deserves its place on the shortlist.” – Rachel
If one’s cup of water is foul, one must first ascertain if the well is poisoned. If we find that the well is indeed polluted, it may have some bearing on whether or not he is responsible for his deeds.
➤ “Putting aside the embarrassing ‘I have discovered this unpublished memoir by my old relative’ preamble, His Bloody Project is a great read and for me has been the most absorbing of the Man Booker shortlisters this year.
“I would agree with the description in reviews of His Bloody Project being a crime story, but struggle with it being called a thriller. There are unanswered questions that put the reader in the position of having to make their own judgements on the events surrounding the crime, but there is no real tension that puts the writing into ‘thriller’ territory. The novel has a gentle pace which seems fitting and appropriate to the location and era.
“The devastating events challenge the prejudices of the local Scottish community and, as well as being a damn good read, His Bloody Project provokes questions regarding the justice system that are as applicable today as they were in the Scottish Highlands in 1869.” – Suzy
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Published 2015
Contraband
280 pages
Do Not Say We Have Nothing – Madeleine Thien
READ FOR BOOKERTHON
From inside an extended Chinese family, Do Not Say We Have Nothing examines two of the most important political moments of China’s past century: Mao’s Cultural Revolution and the Tiananmen Square protests and massacre.
➤ “This is historical fiction written authentically and beautifully, and as twee as it sounds I feel privileged to have read this book.
“The impact of overarching political decision-making on individuals and families is set out so clearly and with such complete and utter devastation that I felt emotionally wrung out on the completion of this novel.
“Despite being so far removed from the culture and era in Do Not Say We Have Nothing there was something very relatable about the characters’ experiences. How the hell the author did this – well I have no idea, but it’s bloody commendable.
“I am fairly ignorant when it comes to Chinese history but feel slightly more knowledgeable after reading Do Not Say We Have Nothing. A truly lovely book – again not trying to be twee, but my life is richer for having read it.” – Suzy
She wanted to tell him that whatever happened, whatever they chose, one day they would have to come awake, everyone would have to stand up and confront themselves and realize that it wasn’t the Party that made them do it. One day, they would be alone with their actions.
➤ “Wow. That feels like the best place to start in formulating my thoughts on Do Not Say We Have Nothing. A book which captivated me from the first paragraph and held my attention to the very last page.
“Not only is this a book about China’s history, in particular the cultural revolution, it also covers off the topics of musical composition, literature, love, morality and the right to freedom. Thien has woven these all together in an epic story that is sure to move all its readers.
“I felt I learned a lot about China’s political history and met characters who will stay with me. While there is much sadness about the plot, one must remember these events were probably true for many people who survived – or did not survive – the political and societal turmoils of China past.
“All in all, this feels like a Man Booker shortlister. A piece of work that has taken time and research and transcends boundaries in its search of humanity and truth.” – Rachel
——
Published 2016
Knopf Canada
480 pages
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